Notes
Local
Connect
News
People
Media
Notes
Connect
People
Notes
Connect
People
Notes
Connect
People
Notes
Connect
People
Join the
Team
Notes
Connect
People
Donate

Grantors

Sponsors

No items found.

Special Thanks

  • Lauren Ellerman
  • Victoria Buck
  • Radford University
  • John Stanley
  • John Lugar & Virginia Varsity Transfer
  • Bud Grey at Carilion Wellness

Donors

Mill Mountain Theatre would like to thank the generous gifts from our Donors. We would not be here without you!

Donors

Standing Ovations 2022
Gifts of $5,000 and more

The Honorable and Mrs. G. Steven Agee *

Avis Construction Company, Inc.

Mr. and Mrs. Jason E. Bingham *

Boxley Materials Company

Carilion Clinic

Ceres Foundation Inc.

Roanoke Arts Commission

Commonwealth of Virginia, Rebuild Virginia CARES grant

Community Foundation Serving Western Virginia

Davis H. Elliot Company, Inc.

Freedom First Federal Credit Union

The Sam & Marion Golden Helping Hand Foundation, Inc.

The Huntly Foundation

Mr. and Mrs. Shields Jarrett *

Jewell Machinery

The Louise R. Lester Foundation

W. E. McGuire Charitable Foundation, Inc.

Kathryn B McQuade Foundation *

Pinnacle Financial Partners

Roanoke Women's Foundation

The Honorable and Mrs. Frank W. Rogers, III *

Skyline National Bank

Edgar Thurman Foundation For Children

U.S. Small Business Administration, Pandemic Economic Stimulus grants

Virginia Commission for the Arts

Producers 2022
Gifts of $2,500 to $4,999

Brandon Oaks Retirement Community

Center in the Square

Davenport & Company LLC

Mrs. Anne G. Downing

Ms. Sarah Copenhaver and Mr. G. Franklin Flippin, Esq.

Mr. & Mrs. W. Heywood Fralin Sr.

Mr. and Mrs. Richard A. Garbee *

Gentry Locke Attorneys

The Glebe

Dr. Anthony-Samuel LaMantia Ph.D. *

Mr. & Mrs. G. John Levin, Jr.

Member One Federal Credit Union

Mr. & Mrs. G. Marshall Mundy

Roanoke Natural Foods Co-op

The Roanoke Star

Marsh & McLennan Agency

Truist Bank

Mrs. Mary Meade G. Winn

Stars 2022
Gifts of $1,000 to $2,499

American National Bank & Trust Company

Anonymous donors to Mill Mountain Theatre

Anstey Hodge Advertising Group

ARD Properties LLC

Mr. and Mrs. John T. Avis *

Mr. and Mrs. L. Scott Avis

Better Sofas, Inc

Dr. Nathaniel L. Bishop *

Mr. and Mrs. Abney S. Boxley, III *

Mr. and Mrs. Thomas R. Brock, Jr.

Business Solutions

The Candy Store

Mr. and Mrs. George B. Cartledge, Jr.

City of Salem

Claytor-Wirt Associates

Cox Communications Charities

Mr. and Mrs. Warner Dalhouse

Dixon, Hubard, Feinour, & Brown Inc.

Dominion Risk Advisors, LLC

Dunkenberger-Waskey Group at Morgan Stanley

Elk Hill Advisors, Inc.

Mr. and Mrs. William D. Elliot

Entre Computer Center

Mrs. Sibyl N. Fishburn

5 Points Creative

Frith, Anderson & Peake, P.C.

Dr. Gary E. Glontz

Ms. Nancy O. Gray and Mr. David N. Maxson *

Dr. Robyn Hakanson and Mr. Erik Moledor *

Mr. Harry W. Hamilton, III

Mr. and Mrs. John Higginbotham

Howell's Motor Freight, Inc.

Innovative Insurance Group

Mr. and Mrs. Howard Jones, Jr.

Kiwanis Club of Roanoke

Mr. and Mrs. Mark S. Lawrence *

Dr. and Mrs. Lee Learman *

Mr. and Mrs. Sam Lionberger, III

Mr. and Mrs. Charles I. Lunsford, II

Lunsford, A Trustpoint Company

Miller, Long & Associates, Inc.

Mr. and Mrs. Harry G. Norris

Oakey's Funeral Service & Crematory

Ms. Yvonne Olson

Ms. Nancy R. Patterson *

Mr. and Mrs. William N. Powell

Punch Boutique

Mrs. Carolyn W. Rakes

Roanoke Animal Hospital

Roanoke Gas Company - RGC Resources, Inc.

Roanoke Valley Orthodontics

Mr. and Dr. John G. Rocovich, Jr. *

Frank W. (Bo) Rogers, Jr. Fund

Rosie's Gaming Emporium

Ms. Rachel Sailer and Mr. Peter Barber

Mr. and Mrs. Edward M. Smith *

Dr. and Mrs. Donald G. Smith, Jr.

Steel Dynamics Roanoke Bar Division

Mr. Maury L. Strauss

Ms. Lesleigh B. Strauss

Sun Tan City

Mr. and Mrs. Joel Tenzer *

Dr. Bruce R. Thomas and Ms. Linda Bowden

Dr. and Mrs. John T. Tielking

Mr. and Mrs. Raphael M. Traen

Will Trinkle and Juan Granados *

Mr. Charles J. Wehrmeister *

Mr. and Mrs. Barton J. Wilner

Woods Rogers PLC

Leading Roles 2022
Gifts of $500 to $999

Ms. Cathy Acri

Reverend and Mrs. George C. Anderson *

Mr. & Mrs. D. James Bailey III

Mr. and Mrs. W. Chan Bolling *

Mr. and Mrs. J. Keith Bown

Ms. Dorothy S. Clifton and Dr. Lou Singer

Connexions Professional Services

Mr. & Mrs. Grimes W. Creasy

Dr. and Mrs. Antonio T. Donato

Dr. and Mrs. F. Joseph Duckwall

First Citizens Bank

The Honorable and Mrs. Robert W. Goodlatte

Mr. and Mrs. Will Griffeth

Mrs. Robert Jaeger

Dr. and Mrs. David A. Kinsler

Laurence Kufel *

Mr. and Mrs. William L. Lee

Mr. and Mrs. Samuel B. Long

Mr. and Mrs. Reynolds G. Lynch lll *

Dr. Elizabeth Rice Martin and Mr. Eddie Martin *

Mast General Store, Inc.

Dr. and Mrs. G. A. McClellan

Mr. and Mrs. Phillip McKeage *

Mr. and Mrs. Robert McMican

Mr. and Mrs. Charles J. Meidlinger

Ms. Donna L. Mitchell

The Newbern Foundation

Mr. and Mrs. Paul W. Nordt, III *

Mr. & Mrs. J. Lee Osborne *

P1 Technologies, Inc.

Capt. and Mrs. Gary S. Powers *

Mrs. B. J. Preas *

Dr. Randall R. Rhea

Mr. and Mrs. Paul C. Timmermann

Mr. and Mrs. Raphael M. Traen

Ms. Vicki Turner

Ms. Yvette Van Hise

Mr. and Mrs. Joe H. Vaughn

Mr. and Mrs. Rudy Vietmeier

Wabtec Graham-White

Mr. and Mrs. Byron L. Yost

Scene Stealers 2022
Gifts of $1 to $249

Ms. Kailey Absher

Mr. and Mrs. Carl D. Akers

Mr. and Mrs. David K. Allen *

AmazonSmile Foundation

Mr. and Mrs. Don H. Andree

Mr. and Mrs. Briggs W. Andrews

Ms. Sharon Angle

Mr. Andrew S. Arbury, III

Mr. and Mrs. Robert H. Ashwell

Anne T. Avis

Ms. Brenda Ayers

Ms. Bettie Baber

E R Bane Trust

Mr. & Mrs. D. Stan Barnhill

Dr. and Mrs. Vincent T. Basile

Ms. Ashleigh Bayer

Mrs. Ruth G. Babylon

Ms. Kathy Bibb

Ms. Mary H. Bivens

Mr. Norman Blanchard

Ms. Joellen K. Bland

Ms. Cynthia Blevins

Ms. Leanna Blevins

Dr. and Mrs. John Bouldin

Ms. Nancy A. Bourne

Mr. Alexander Bowman, Jr.

Ms. Amanda Bozack

Mr. and Mrs. John P. Bradshaw Jr.

Ms. Michelle Brandt

Ms. Henriette B. Brooks

Ms. Stephanie Bryant

Ms. HelenRuth Burch

Mr. and Mrs. Chris Bush

Mr. Andrew Callahan

Capt. Anne Cannon

Mr. and Mrs. John P. Carlin

Mr. Zachary Carney

Mr. and Mrs. Jeremy Carroll

Mr. and Mrs. Reed Carter

Mr. and Mrs. Stephen Cates

Ms. Gloria Cauley

Mr. and Mrs. Daniel J. Celin

Mr. and Mrs. Jerry W. Cheadle

Mr. and Mrs. Michael D. Childress

Mr. & Mrs. W. R. Clemmer, Jr.

Mr. William Colbert

Carl E. Coleman Family Trust

Mr. and Mrs. W. Patton Coles, IV *

Mr. and Mrs. R. E. Conner

Mrs. Mary Ann Conrad

Mr. and Mrs. Nicholas C. Conte

Mr. John Cornthwait

Mr. and Mrs. James G. Cosby

Frankie Courtemanche

Mr. & Mrs. Grimes W. Creasy

Mr. and Mrs. Timothy Cribbs

Mr. Mark Culbreth

Mr. and Mrs. Declan F. Daly

Mr. & Mrs. H. Lawrence Davidson

Ms. Michelle Davis

Ms. Elizabeth G. Deisher

Kelly Derrick

Ms. Stacy Deyerle

Mrs. Barbara M. Dickinson

Dr. Elizabeth H. Duckworth & Mr. John M. Duckworth

Ms. Jeanne M. Duddy

Mr. and Mrs. Thomas M. Dunkenberger, Sr.

Ms. Kathy Dupont

Ms. Patricia Ebbett

Mr. Charles L. Echols Jr.

Ms. Melvina Edwards

Ms. Christina Englehart

Mr. and Mrs. Michael W. English

Mr. and Mrs. John L. Ewart, Jr.

Ms. Kelly T. Farber

Ms. Emily Farmer

Ms. Janet Faulkner

Mr. and Mrs. Gregory W. Feldmann *

Ms. Victoria Ferris

Mr. Eric E. Fitzpatrick

Mr. and Mrs. Juergen F. Fleck

Mr. and Mrs. John R. Francis, Jr.

Ms. Gail Godsey

Mr. and Mrs. Lawrence A. Goldstein

Mr. Mark Goodes

Dr. James J. Gooding

Mr. Glen Graye

Mr. and Mrs. Fred Greear

Dr. and Mrs. Frank Guilfoyle

Mr. James E. Hall, Jr.

Dr. & Mrs. Geoffrey Harter

Mr. and Mrs. Edmund Harvey

Dr. & Mrs. J. Bruce Hauser

Ms. Katherine Havener

Mr. and Mrs. Walker B. Healy Jr.

Mr. and Mrs. John L. Hess

Ms. Jessica Hilbish

Mr. and Mrs. Frank F. Hill, Jr.

Mr. and Mrs. Charles A. Hite, III

Mr. & Mrs. Joseph M. Hoff

Mr. and Mrs. Daniel E. Holdgreve

Macel Holloway

Ms. Donna B Horak

Mr. Chris Howard

HHHUNT Homes Richmond

Ms. Carin Hunt

Dr. and Mrs. Alvin J. Hurt

IBM International Foundation

Mr Richard L Ikenberry

Mr. and Mrs. John Jackson

Mr. Edward F. Jennings Jr.

Ms. Sarah Jernigan-Tompkins

Mr. and Mrs. Michael Jewell

Marcia and Lewis Johnson

Mr. and Mrs. Pegram Johnson, III

Drs. James and Janet Johnson

Ms. Erma L. Jones

Mr. Pedro Martin Jose Juan

Mrs. Ann M. Journell

Mrs. J. Robert Justice

Mr. and Mrs. William K. Keesee

Mr. Matthew Kelley

Mr. and Mrs. Herman D. Kemp, Jr.

Ms. Victoria Kessler

Mr. Joshua Kier

Mr. and Mrs. Rich Kirchhoff

Ms. Shoshana Knapp

Mr. and Mrs. Alton L. Knighton, Jr.

Kroger

Dr. and Mrs. Arthur A. Kunkle

Mr. and Mrs. Richard Kurshan

Mrs. Susan P. Lancaster

Mr. and Mrs. Kenneth C. Laughon

Mr. Terry Lauver

Mr. and Dr. Todd A. Leeson

Mr. and Mrs. Anthony F. Lefkowicz

Ms. Zoe Manoukian

Ms. Tara A. Marciniak

Ms. Jane Markson

Mr. Gene H. Marrano

Mr. Robert Martin

Ms. Lee B. McBride and Ms. Katherine M. Rakes

Mr. Norman Foggin and Mrs. Kathryn McCathern

Debra McClure

Dr. and Mrs. Maston R. McCorkle, Jr.

Mr. W. D. McCoy

Mr. and Mrs. Douglas McLaughlin

Mr. and Mrs. John G. McLeod

Ms. Amber McLoney

Mr. and Mrs. John D. McMillen

Ms. Bette McNamara

Ms. Melissa Merritt

Mr. Thomas Mesner and Ms. Jeanne Larsen

Mr. and Mrs. David Moledor

Ms. Connie Jo Montz

Ms. Pamela Morgan

Leslie J. Morrissett and Rebecca F. Morrissett

Ms Katherine Mortara

Mr. Marcus B. Moses

Mr. and Mrs. Allan Mower

Ms. Suzana Muller

Ms. Bethany Murphy

Mr. and Mrs. Robert Myers

Richard Nance

Ms. Jacquelyn Nasca

Ms. Carmen Neal

Ms. Rhonda Neely

Theresa Ruth Neilsen-Steinhardt

Network For Good

Mr. and Mrs. John Nicklo

Dr. and Mrs. James R. Niederlehner

Mr. and Mrs. Robert O. Nordt, Sr.

Mr. & Mrs. George W. Norton

Ms. Rachel Nunez

Amanda O'dell

Mrs. Phyllis A. Olin

The Rev. and Dr. David Olson

Mr. Patrick J. O'Reilly

Dr. and Mrs. Ronald B. Overstreet

Mr. and Mrs. Steve Padis

Ms Melissa Palmer

Mr. & Mrs. John C. Parrott, II

Mr. Jeffrey Pasciak

Dr. and Mrs. Steven J. Pasternak

Dr. and Mrs. John W. Pendleton

Mrs. Ashley Pennington-Tripp

Ms. Joan K. Petrus

Dr. and Mrs. Robert E. Pooley

Mr. and Mrs. John Powell

Mr. and Mrs. Robert Pratt

Dianne & Nick Prout

Mr. Mauricio Ramos

Jacqueline Rearick

Dr. and Mrs. Wayne G. Reilly

Mr. Ian Ridgway

Mr. William Riedy

Mr. and Mrs. Chris Rigsby

Mr. and Mrs. James A. Robertson

Mr. and Mrs. Kyle Rottkamp

Mr. Carl Milton Rowan

Mr. James Royalty

Mrs. Charles B. Ryan

Mr. and Mrs. Ronald J. Sailer

Mr. Connor Savage

Ms. Sharon Schwind

Ms. P. Annie Seago

Ms. Sally A. Seagraves

James C. Sears, Ed.D.

Mr. and Mrs. Patrick N. Shaffner *

Ms. Katherine Shaver

Mr. and Mrs. Barry L. Shelor

Mr. and Mrs. Charles J. Silverman

Mrs. Gene H. Smallwood

Ms. Diane T. Smith

John H. Smithey, Jr.

Ms. Mary J. Snedegar

Ms. Ann Marie Soltis

Ms. Melanie Starks

Mr. and Mrs. Bruce C. Stockburger, Esq.

Mr. and Mrs. Arthur P. Strickland

Mr. Robert Stutes

Ms. Leila Summo

Ms. Angela Swain

Mr. and Mrs. Bruce Swanson

Mr. and Mrs. William B. Symonds

Ms. Anne T. Tiffany

Mr. and Mrs. David Todd

Ms. Ann Penny Tully

Mr. and Mrs. Zachary Vernon

Mrs. and Mr. Jane I. Wallace

Mr. Jason Walsh

Mr. & Mrs. J. Robert Walton

Mr. and Mrs. Jimmy R. Ward

Mr. and Mrs. Lilburn E. Ward, III

Ms. Tiffany Waters

Ms. Maureen Watson

Hugh and Jaye Harvey Wellons

Ms. Virginia West

Ms. Judy West

Mr. Roy Westmoreland

Mr. and Mrs. Frank E. Whaley

Mr. and Mrs. Damon W. White

Mr. and Mrs. James Whitney

Mrs. Pamela H. Wiegandt

Ms. Deborah Wilhelm

Ms. Kimberly Williamson

Mr. and Mrs. Jerry W. Willis

Mr. and Mrs. J. David Wine

Ms. Edna Wood

Ms. Savannah Woodruff

Mr. Trenten Woods

Mrs. Lee H. Woody

Ms. Vella Wright

Mr. and Mrs. Keith F. Young

VIPs 2022
Gifts of $250 to $499

Mr. and Mrs. Carlton W. Alcorn

Mrs. Lynn D. Avis

Ms. Hazel Bernard

Mr. and Mrs. Robert E. Brailsford

Ms. Helen A. Burnett

Mr. and Mrs. Russel M. Danstrom

The Rev. Dr. and Mrs. David Dixon, III

Mr. Paul A. Economy and Mr. Randy Craver

Mrs. Lauren Ellerman *

Mrs. Marianne E. Gandee *

Dr. and Mrs. Charles D. Gilliland

Dr. & Mrs. J. Bruce Hagadorn

Donna Hancock

Mr. and Mrs. Stephen Janoschka *

Mr. and Mrs. William H. Jernigan Jr.

Robyn and David Johnsen

Mr. and Mrs. James F. Johnson

Mr. and Mrs. Robert A. Keely

Mr. Talfourd H. Kemper

Anna and Tom Lawson

Mr. and Mrs. Kirk A. Ludwig

Mr. and Mrs. Edward J. Machado

Ms. Martha L. Martin

Dr. Suzan R. and Dr. John R. Merten

Paul and Robert Metz

Mr. Bob Mills

Ms. Leisa Mundy

The Muse Family Foundation *

Mr. and Mrs. Steven L. Nash

Dr. and Dr. Michael S. Nussbaum

Mr. and Mrs. Mike O'Brochta

Mr. and Mrs. Lewis J. Pillis

Mr. Dale Rakes

Ms. Mary L. Sailer

Mr. and Mrs. Jim Shaver

Mr. and Mrs. James D. Sheahan

Mr. and Mrs. Barry L. Shelor

Janet M. Siems

Dr. and Mrs. Bertram Spetzler

Dr. and Mrs. Brian A. Torre

Mr. and Mrs. John P. Whittle

Mr. & Mrs. W. Lee Wilhelm, III

Mr. Adam Williams

Mr. and Mrs. Scott W. Winter

Meet Our Donors

Tributes

Mill Mountain Theatre is honored to acknowledge gifts made in tribute or memory of special friends. To make such a gift please contact John Levin at (540) 342-5761 or development@millmountain.org.

Tributes

In honor of Nancy Agee and on her birthday by Dr. Nathaniel L. Bishop

In special commemoration of Ginger Poole Avis and Jack Avis being honored at the 2022 Multiple Sclerosis Society Dinner of Champions by current and former presidents of Mill Mountain Theatre’s Board of Directors including: David Allen, Nancy Gray, Macel Janoschka, John Jessee, Cynthia Lawrence and Will Trinkle, and by Ginny Jarrett

In honor of Ginger Poole Avis by Mr. and Mrs. Nicholas C. Conte, by Ms. Melvina Edwards, by Nancy Gray and by Macel and Stephen Janoschka

In honor of Jack Avis by Ginger Poole Avis

In memory of Jim Ayers by James C. Sears, Ed D

In memory of Willeyne McCune Clemens, Dorothy Meyer Hannaford and Sam Zulis by Nancy Ruth Patterson

In memory of Tracy D’Souza by Mr. and Mrs. Kyle Rottkamp

In memory of Becky Gilbert by Paul and Robert Metz

In honor of Mary Hubbard by Macel and Stephen Janoschka

In honor of Randall Hubbard by Macel and Stephen Janoschka

In memory of Timothy A. Kelly by Talfourd H. Kemper; by Mr. and Mrs. Charles I. Lunsford, II; by Mr. W. D. McCoy; by Mr. and Mrs. John G. McLeod; by Mr. and Mrs. Paul W. Nordt, III; by Mr. and Mrs. William N. Powell, and by Mr. and Mrs. James A. Robertson

In honor of the MMT Team by Ms. Edna Wood

In honor of Tuillo Brenna O’Reilly by Mr. Patrick J. O’Reilly

In honor of Nancy Ruth Patterson by Mr. and Mrs. Walker B. Healy, Jr.

In honor of B.J. Preas by Mr. and Mrs. Jerry W. Cheadle

In memory of Charles Ruff, Jr. by Mr. and Mrs. Gregory W. Feldmann

In honor of Maury Lee Strauss by Ms. Lesleigh B. Strauss

In memory of Crystal Lynn Van Hise by Mrs. Yvette Van Hise

In honor of Susan Williams by Mr. Adam Williams

Our Tributes

Performers

(in alphabetical order)

Amy Baldwin

*

Della

Cherise James

*

Macy

Merrill Peiffer

*

Jen

J. Richey Nash

*

Tim

Setting

North Carolina A Bakery; A Home
There will be no intermission

Songs & Scenes

No items found.

*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org

Production Staff

Director
Kerrie Seymour
Production Stage Manager
Bill Muñoz*
Assistant Stage Manager
Kailey Absher*
Lighting Designer
David Wheeler
Assistant Lighting Designer
Hannah Mullins
Technical Director & Props Designer
Matt Shields
Costume Designer
Tiffany Waters
Sound Designer
Savannah Woodruff
Run Crew
Matthew Howard
Stitchers
Victoria Buck‍ Josh Polk‍ Matt Shields
Stitchers
Victoria Buck‍ Josh Polk‍ Matt Shields
Cake Artisans
Victoria Buck‍ Drew Callahan‍ Ginger Poole‍ Matt Shields‍ Savannah Woodruff‍ Trenten Woods
House Managers
Tom Fitzpatrick‍ Becky Gay‍ Larry Kufel‍ Richard Maddox‍ Josh Polk‍ Ian Ridgway‍ Matt Shields‍ Jeff Taback‍ Tiffany Waters

Venue Staff

School Administration Staff

Producing Artistic Director
Ginger Poole
Director of Development
John Levin
Business Manager
Larry Kufel
Director of Education
Victoria Buck
Production Manager/Props/Scenic Designer
Matt Shields
Creative Director of Public Relations
Ian Ridgway
Resident Musical Director
Seth Davis
ATD/Lighting & Sound Supervisor
Savannah Woodruff
Education Associate & Community Engagement Coordinator
Francesca Reilly
Teaching Artist
Josh Polk
Spot Operators‍
Drew Callahan Trenten Woods

Musicians

No items found.

Board of Directors

President

Macel H. Janoschka

Vice President

J. Lee E. Osborne

Treasurer

Lori D. Cauley

Secretary

Nathaniel L. Bishop

Board Members

David K. Allen, Lauren Ellerman, Linda Garbee, Nancy O. Gray, Dr. Robyn Hakanson, Laurence E. Kufel, Dr. Anthony-Samuel LaMantia, Cynthia Lawrence, William L. Lee, Reynolds Lynch III, Dr. Elizabeth Rice Martin, Laura McKeage, Nancy Ruth Patterson, Gary S. Powers, Doris Rogers, Edward M. Smith, Judy Tenzer, Will Trinkle, Maxwell Huddleston Wiegard

Student Advisory Board

Message from the Theatre

The curtain is ready to rise for our 2022 season as we open with The Cake, and we are delighted to have our audiences back at Mill Mountain Theatre. This show serves as an instrumental piece within our 2022 Season and Fringe Series as it tells the story of triumph and love in the face of adversity because, at the end of the day, everybody deserves a slice of cake. As a part of Mill Mountain Theatre’s mission statement, The Cake embodies MMT’s most important elements in the statement as we thrive to inspire, entertain, enrich, educate and challenge our audiences. With our Fringe shows, the importance of discussion is the most essential aspect of the series as we encourage you to take place in the discussion once the curtain closes.

Welcome back,

Ginger Poole
Producing Artistic Director

Message from the Director

I grew up in the church and was taught that there were things that you just believed. In my church, you did as you were told and you didn’t challenge what you were learning. Doubt and questions were accompanied by fiery fears.

When I first read this play, I saw so much of my own history. My church made sure I knew that homosexuality was wrong, a sin. And I trusted them. Their teachings weren’t aggressively violent. It was a very “hate the sin, love the sinner” kind of place . . . which is actually still violent, just quieter.

Mind you: At this point in my life I didn’t know any queer people. Or more clearly stated, I didn’t know that I knew any queer people.

Flash forward to my senior year of high school. I was steeped in the life of the theatre club. After school at the alcove full of pay phones (aah, the early 1990s!), I was hanging out with a friend. I noticed his silvery dogtag-style necklace and from it hung little circles in a rainbow of colors. I effused, “Phillip! I love your necklace!” He looked me in the eyes, and, in retrospect, I know he was clearly doing the emotional mathematics of decision making before he decided to say, “Do you know what it means, Kerrie?” Then to my silence he said, “It’s the Pride flag colors. I’m gay.”

Whoa. Wait! What?

This moment tilted my worldview. It shook the pulpit from miles away. This moment changed my life. I loved Phillip. He was funny, talented, passionate, an excellent friend. Knowing who he was made it very hard to blindly label the queer community with the simple definitions that I had been taught in church.

Homosexuality had a name and a face now. And it was a name and face I loved. Suddenly, everything became a question and I ended up recalibrating my internal compass. Instead of fear, instead of darkness, instead of judgement, I adjusted my compass to let love be my true north.

When I read THE CAKE, I immediately knew these people. The characters of Della, Jen and Tim had clearly heard the same sermons I did. Their internal compasses had been calibrated with the same hard opinions drawn in all-too-broad of strokes.

These characters want to align themselves with the holy but they wish it could be easy: clearer lines, simpler answers. But journeys of faith and growth don’t happen in comfortable spaces; and questions seldom have black and white answers. In fact, I believe discomfort can breed growth and questions can actually define faith. I mean, faith by its very definition is not knowing.

So, regardless of what you have been taught and regardless on where you stand in the debate, as you watch this show, I hope you can breathe into the humanity of each of these characters, the ones you agree with and the ones you don’t. I hope you can sit with the questions that they attempt to answer. I hope you give yourself permission to sit with moments of discomfort.

I’m very, very grateful that you are here.

Kerrie Seymour
Director

“For the great enemy of truth is very often not the lie - deliberate, contrived and dishonest - but the myth - persistent, persuasive, and unrealistic. Too often we hold fast to the cliches of our forebears. We subject all facts to a prefabricated set of interpretations. We enjoy the comfort of opinion without the discomfort of thought.”

John F. Kennedy in a June 11, 1962 commencement address at Yale University

Cast
Creatives

Meet the Cast

Amy Baldwin

*

Della
(
)
Pronouns:

Amy Baldwin has performed in over 70 regional theatre productions between DC and Seattle, and was seen last at Mill Mountain Theatre in Legally Blonde The Musical and Mamma Mia! She is an avid hiker and believes that dogs are the best--particularly rescue dogs. (Her 18 year-old doxie, Al Pacino, encourages you to consider adopting a senior dog!)

Cherise James

*

Macy
(
)
Pronouns:

Cherise James is a performing artist from Miami, FL, who sings, dances, acts, writes, and teaches. She received her Bachelors in Fine Arts for Acting from the University of Central Florida and has been performing throughout New York, Florida, Georgia, and Virginia in classical, modern, contemporary, and musical performances. Some favorite dramatic roles include Here There Are Blueberries (Tectonic Theatre Project), Motherless (Open Jar Studios NYC), and Macbeth (Apocalyptic Artist Ensemble NYC). On the musical theater stage, Cherise James has been seen as Deena, Lorrell, and Michelle in Dreamgirls, Brenda in Smokey Joe's Cafe, In the Heights, and various others. God is love.

Merrill Peiffer

*

Jen
(
)
Pronouns:

Merrill Peiffer is delighted to make her Mill Mountain debut! She has been a professional actor for almost 2 decades, with her work being showcased all around North America; Merrill was a Dynamo swing on the Broadway tour of Mamma Mia! and has performed at many theatres regionally. Some favorite credits include: Tanya in Mamma Mia, Mrs. Wormwood in Matilda, and Miss Pennywise in Urinetown. Merrill loves to share her enthusiasm and passion for story-telling and connection through performance. Thank you for being here!

J. Richey Nash

*

Tim
(
)
Pronouns:

J. Richey Nash is an award-winning actor, writer, and filmmaker. Roanoke audiences may remember him from his performance in MMT’s 2017 production of Moonlight and Magnolias. NYC theatre credits include Burning (Rattlestick), Boy Meets Girl (Playwrights Horizons), Joe Fearless (Atlantic), The Taming of the Shrew (The Duke on 42nd), Black, White and Blue (Primary Stages), Here We Are (Women’s Project). Regional: A Doll’s House, Part 2 (Lean Ensemble), Clybourne Park (The Warehouse), FIT (White Heron), Mr. Shaw Goes to Hollywood (Laguna Playhouse), Inherit the Wind (GTC-Burbank), Heads (The Blank). TV: Criminal Minds, George Lopez, Big Dogs, Still Standing, Kitchen Confidential, All My Children. Film: Live-Evil, Stay Alive, The F Word, Fabled, The Unborn. Richey also wrote, produced, directed, and starred in the indie feature Hitting the Cycle, with Oscar nominee Bruce Dern. A native of Kentucky, he is a graduate of Princeton University and a former professional baseball player.

Meet the Team

Kerrie Seymour

*

Director
(
)
Pronouns:

Kerrie Seymour is thrilled to be at MMT for the first time. An actor/director based in South Carolina, she is an Associate Professor of Acting at Clemson University. In SC, she collaborates with The Warehouse Theatre where she has directed Sense And Sensibility, The Thanksgiving Play, The Glass Menagerie and The Cake, among others. At the Warehouse, she has appeared in dozens of shows including August: Osage County, Strange Snow, Lost In Yonkers and later this year she will appear in Appropriate. She has an MFA in Acting from Trinity Rep and has appeared in productions there, VA, NC, GA and DC. She is represented by SR//SS Talent Agency out of Atlanta and she’s a member of Actor’s Equity Association. Love to Thom and Liam for the support and for keeping my plants alive while I’m away. Gratitude to the marvelous Bill Muñoz for being the catalyst of my time in Roanoke.

David Wheeler

*

Lighting Designer
(
)
Pronouns:

David has been teaching in Radford University’s Department of Theatre and Cinema since 1998. Previously, he was a professor for the Department of Communication and Theatre at Vanderbilt University.  David studied Theatre at Lynchburg College and later received his MFA in 1992 from Southern Illinois University at Carbondale with a concentration in Lighting Design and Technical Direction. At RU, David teaches Introduction to Lighting and Sound and contributes to the Theatrical Design class sequence. Professionally, David has designed Alexander and the Terrible, Horrible, No Good, Very Bad Day for Mill Mountain Theatre and as a Guest Artist, Othello, at Marshall University.  Other favorite designs include those for The Voice of the Prairie, Liza and the Riddling Cave, Pippin, A Doll’s House and The Lion in Winter.

Tiffany M. Waters

*

Costume Designer
(
)
Pronouns:

Tiffany is thrilled to make her professional design debut with Mill Mountain Theatre! She is a costume designer, educator, director, and actor who earned her MLitt and MFA with a concentration in costume design from Mary Baldwin University's Shakespeare and Performance program in partnership with the American Shakespeare Center. Other costume design credits include Two Noble Kinsmen and Romeo and Juliet with the Bards Ablaze Theatre Collective and Gallathea and Sleeping Beauty with MBU S&P. Most recently, she directed The Botetourt Project with Mill Mountain Theatre in partnership with the History Museum of Western Virginia and wrote Peter and Wendy, MMT's adaptation for our 2022 Youth Audiences Series. Tiffany serves as the Education Associate and Outreach Coordinator in MMT's education department. She would like to thank MMT's incredibly kind and talented staff, cast, and crew, and her supportive partner, Tyler, for giving her the courage to create.

Matt Shields

*

Technical Director & Props Designer
(
)
Pronouns:
he/him

Matt Shields is a native of Virginia. Having grown up in Loudoun County, he first moved to the region in 2013 to attend school at Radford University where he graduated with a BS in theatre. After working for a few other companies, Matt is happy to call MMT his artistic home. In the past few years Matt has served in a variety of jobs around Mill Mountain, including Props Master, Costumes Manager, Teaching Artist, Scenic Designer, and Company Manager. Matt is very happy to now be serving MMT as the Production Manager and is grateful to MMT for all the faith they have put in him over the years.

Bill Muñoz

*

Production Stage Manager
(
)
Pronouns:

Bill Muñoz – Production Stage Manager Feeling so grateful to once again return to the ‘Noke! He was in rehearsals here in March of 2020 for Dream Girls, when everything shut down due to the pandemic. Words cannot be found to express the thrill to be back doing live theatre. Past productions at MMT, The Marvelous Wonderettes, A Christmas Story, Mamma Mia and The Sound of Music. Beginning at Flat Rock Playhouse, in Western NC, (30 seasons, over 130 productions) and working in theatres in the southeast, he has also worked as an Actor and Fight Choreographer. Thank you for supporting the Arts!

Jimmy Ray Ward

*

Scenic Designer
(
)
Pronouns:
he/him

With an MFA in Design from UNC-Greensboro, his credits include work at many theatre companies along the East coast such as Spoleto Festival USA, Williamstown Theatre Festival, Seaside Music Theatre, Flatrock Playhouse, and the Gainesville Theatre Alliance.  Locally, Jimmy designs for Opera Roanoke, Roanoke Children's Theatre, and Mill Mountain Theatre, where he worked as resident designer for its last nine seasons.  Some favorite designs over the years include scenery for Il Trovatore, The Flying Dutchman, The Adventures of Frog and Toad, If You Give a Mouse a Cookie, Seussical, and Grease, costumes for Hamlet, Beauty and the Beast, Joseph…Technicolor Dreamcoat, and lighting for Driving Miss Daisy, Wit, and Rapunzel, among many others. Despite years of working in a field he loves, Jimmy feels that his best productions to date are his children, Henry and Lily, Gracie and Frank.

Jason Viers

*

Wardrobe Head
(
)
Pronouns:

Jason Viers was born and raised a few miles south of Roanoke in Henry County, Virginia. This is where he was encouraged from a young age to express his ability to perform. After many performances and graduating from Magna Vista High School in 2017, Jason Viers attended Radford University where he completed his BS in Theatre. This is where he also found his love for sewing and the understanding that a costume piece can tell just as much of a story as the play itself. He is excited to be working at Mill Mountain Theatre again for the 2022 season with such an incredible group of people.

Kailey Absher

*

Assistant Stage Manager Sub
(
)
Pronouns:

Kailey Absher is a local Virginian, growing up nearby in the New River Valley. She is a graduate of Radford University, where she earned her BS in Theatre with an emphasis on stage management, as well as minors in English and Communications. Past Credits at MMT include: Million Dollar Quartet, A Christmas Story, and Tomás and the Library Lady. Kailey has worked as part of the intern company for The Rev (Formally Fingerlakes Musical Theatre Festival) and well as two seasons of outdoor theatre. She is so thankful to be joining the team here at Mill Mountain and to their commitment to coming back together and stronger.

Hannah Mullins

*

Assistant Lighting Designer
(
)
Pronouns:

Hannah Mullins is delighted to be making her Mill Mountain debut with The Cake! She will be graduating from Radford University this spring and has been a local for 14 years. Hannah has been doing theatre since she could walk and has loved Lighting Design ever since she discovered it was a profession. Hannah has been seen as everything from Electrician to Designer at Radford and spent a summer at The Lost Colony as a Spot Opt/Electrician in 2019. She would like to thank her Designer David Wheeler, her friends and family, her cat, and her Mom, for always being her number one fan. She hopes you enjoy the show!!

Savannah Woodruff

*

Lead Electrician & Sound Engineer
(
)
Pronouns:
she/they

Savannah Woodruff was born and raised in Southern Pines, North Carolina, where she was encouraged to become involved in technical theatre in high school. Savannah is a graduate of The University of North Carolina at Greensboro, and received a BFA in Technical Production. Prior to joining the Mill Mountain Theatre staff, she worked as a member of Weston Playhouse Theatre Company’s Intern Company. Savannah is grateful for the support of her family (and especially her cats) in her endeavors, and is thrilled to be able to continue working and growing with Mill Mountain Theatre.

Media

No items found.
2021 National Touring Cast

Pre-Show Snack or
Post-Show Dinner?

Don’t let the evening end when the curtain comes down. With The Marquee Local, you can find the perfect place for a pre-show snack, an evening meal, or a post-show cocktail. Enjoy exclusive deals from our local partners as you catch up, discuss the show, and create memories to last a lifetime.

Grab a Bite
Pre-show or post-show, our local partners have your dining needs covered
Raise a Glass
Settle into that post-show glow with a stellar drink in hand

Grab a Bite

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Fortunato

Italian
|
104 Kirk Ave SW

Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Marquee Deal!

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Awful Arthur's‍

Seafood
|
108 Campbell Ave SE

Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.

Awful Arthur's‍

Seafood
|
108 Campbell Ave SE

Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.

Marquee Deal!

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Marquee Deal!

Crescent City Bourbon and Barbecue

Barbecue
|
19 Salem Ave SE

The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.

Crescent City Bourbon and Barbecue

Barbecue
|
19 Salem Ave SE

The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.

Marquee Deal!

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Marquee Deal!

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Marquee Deal!

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Marquee Deal!

Raise a Glass

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Marquee Deal!

‍Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Marquee Deal!

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Marquee Deal!

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Marquee Deal!

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Marquee Deal!

While You Wait

With the help of our friends at Theatrely.com, Marquee Digital has you covered with exclusive content while you wait for the curtain to rise.

THE BLOOD QUILT Weaves Family Legacy with History — Review
Juan A. Ramirez
November 22, 2024

A group of half-sisters return to their family home on a small island off the coast of Georgia in Katori Hall’s The Blood Quilt, which had its New York premiere tonight at Lincoln Center’s Newhouse Theatre. Though they’re there to mourn their recently deceased mother, and the play follows the classic dramatic reunion template (with unique voice and great added nuance), the production is mostly an entertaining look at four sisters, and one of their daughters, figuring out what their dynamics will look like moving forward. With its relentlessly watchable performances, The Blood Quilt is a well-crafted addition to the fruitful genre of the homecoming play.

The eldest, auntie-like Clementine (Crystal Dickinson) and the beer-loving Gio (Adrienne C. Moore), a cop who hits her weed pen to “aid her glaucoma,” are already at Jernigans’ ancestral house when along come Cassan (Susan Kelechi Watson) and her identity-hopping teen daughter, Zambia (Mirirai), who this week is in a hijab; last week was a vampire. Their mother hosted them each year for a quilting bee, a tradition they intend to continue in her memory. Amber (Lauren E. Banks), a California-living lawyer and the least in-touch with the family, is the last to arrive, and the fastest to set off tensions among the women: who’s more successful than the other; who needs to stay out of the other’s business; to whom is mom leaving the best inheritance?

That last question becomes the most salient when it is revealed that their mother’s back taxes might outweigh her top two possessions: her house, and her large, historic collection of family quilts. This sets off a series of escalating arguments between the sisters which Hall interweaves with poignant cultural weight. Amber and Zambia, the youngest and most modern, are quick to adopt a joking African accent when poking fun at the others’ observance of ritual and Black tradition which they see as corny – what Amber calls “pseudo-Black Nationalist” bullshit, like the “fake-ass Yoruba village” just over on the mainland. But they’re the first to offer a solution that would take care of all three bequests, even if the other women are in staunch opposition.

__wf_reserved_inherit
The company | Photo: Julieta Cervantes

The play probably doesn’t need to last two hours and forty minutes, but Hall, whose television series P-Valley will soon debut its third season, knows how to draw out long threads and keep them engaging: she is alternately soothingly poetic and fiercely funny, and her characters are people we’re more than willing to spend time with. This cast is uniformly terrific, with Banks and Watson particular standouts. They’re also remarkably comfortable with each other, their relationships joyously lived-in under the familial direction of Lileana Blain-Cruz, who brings aboard her delightful usual design suspects, Adam Rigg (scenic) and Montana Levi Blanco (costumes). Blanco’s work deftly displays each woman’s personality and Rigg evokes the harmonious chaos of a quilt in their set, which features mismatched fabrics and wooden tiles on the house’s attractive bones, several gorgeous quilts, and a water feature downstage which, though initially almost an afterthought, hosts the play’s stunningly staged catharsis. (Jiyoun Chang’s light, Palmer Hefferan’s sound, and Jeanette Oi-Suk Yew’s projections helpfully assist.)

That final purifying rainfall washes away what becomes almost an overloading of trauma, as the sisters cut deeper into each other, from the affecting family drama at this play’s core. Hall has a commanding ability to knit themes of history and legacy with a calibrated, comic touch that’s tight enough to endure the thoroughly introspective, and breathable enough to remain deeply enjoyable.

The Blood Quilt is in performance through December 29, 2024 at Lincoln Center’s Newhouse Theatre on West 65th Street in New York City. For tickets and more information, visit here.

DEATH BECOMES HER Is Broadway Comedy Gold — Review
Kobi Kassal
November 22, 2024

In a world of perpetual film adaptations coming to the stage, I am pleased to report that Death Becomes Her is an utterly ridiculous and extremely entertaining new musical — one that is a welcome addition to the Broadway landscape. Based on the 1992 cult classic film of the same name, Death Becomes Her, which opens tonight at the Lunt-Fontanne Theatre, just might be the best new musical of the season so far. 

Just as in the film, we follow narcissistic actress Madeline Ashton (Megan Hilty) and her bestie/frenemy author Helen Sharp (Jennifer Simard) who have spent years attempting to outdo each other. When Madeline steals Helen’s fiancé, Helen goes on a spree for revenge leading to both ladies taking a mysterious potion that offers eternal youth — what could go wrong, eh?

Hilty and Simard both deliver two delicious tour-de-force performances that are equally hilarious and enthralling. It’s no easy feat taking on characters made famous by Meryl Streep and Goldie Hawn, but when you have two of Broadway’s best, you know you are in good hands. It is a thrill to see Hilty back on the boards (she was last on Broadway in 2016 in Noises Off, and it's been 15 years since 9 to 5) and getting to see Simard finally get her moment in the sun is a win for the American theatre, culture, and all of us. 

Christopher Sieber charms as always as Ernest Menville, the one stuck in the middle of a love triangle with the two leading ladies and Michelle Williams, of Destiny’s Child fame, brings her superb vocal talents to the stage. Josh Lamon is delightfully hilarious as Stefan, Madeline’s assistant and the ensemble overall are all top notch. 

__wf_reserved_inherit
The Company | Photo: Matthew Murphy + Evan Zimmerman

Apart from the stunning performances, where Death Becomes Her truly wins is in the score by Julia Mattison and Noel Carey. Although this is their first Broadway credit, I imagine this is just the beginning for this duo. A vibrant melodic sound permeates the Lunt-Fontanne from big Broadway showstoppers to comical ballads that won’t soon leave your head. Marco Pennette’s book does a great job at taking a film made over 30 years ago and making it feel fresh for today. 

Christopher Gattelli steers the ship as director and choreographer and has cooked up Broadway comedy-gold. With glorious costumes from Paul Tazewell and stunning scenic design by Derek McLane, the creative team overall works well to create a visually stunning sight to behold. 

Death Becomes Her is a smart, brilliant adaptation that honors the original without fighting too hard at making sure it recreates every moment from the film. It’s clear the team has worked hard to put together one fun night of theatre, and boy do they deliver. I don’t think I stopped smiling from the first downbeat to the final curtain call. It’s high camp and Broadway heaven, need I say more?  

Death Becomes Her is now in performances at the Lunt-Fontanne Theatre. For tickets and more information, visit here

ELF: THE MUSICAL Finds The Joy — Review
Joey Sims
November 22, 2024

Elf: The Musical please save me. Save me Elf: The Musical! 

Okay—perhaps too much to expect from an eight-week run of a holiday musical. But I do have my own personal history with this treacly yet charming Christmas staple, which returns to Broadway at the Marquis Theatre through January 4 following two previous outings on the main stem. My very first job in New York City was on the 2012 encore run of Elf at the beautiful Al Hirschfeld Theatre (where the show also debuted two years prior). I worked mostly as a “hawker,” roving the theater with a bucket of candy strapped to my chest and a Santa hat atop my head. (Yes, I did look cute.)

New to Broadway and not yet totally jaded, I would sneak into the back of the house each night to watch my favorite numbers over and over. The show highlight, in my opinion, was “There Is A Santa Claus,” a sprightly number belted to the heavens each night by the ever-reliable Beth Leavel. 

Returning to the world of Elf last week, I did wonder if I was making a mistake. After all, my fondness for the show stemmed from a very specific moment in my life. Elf is now at the cold, faceless Marquis Theatre, a venue that does not exactly scream festive cheer. And we are living in a moment of existential despair, a grim moment for a country hurtling towards near-certain doom. Was I putting too much pressure on the healing powers of a return visit to Christmastown? 

Early signs were discouraging. I visited the bar, hoping the old favorites would still be on offer. But the world of Elf-themed cocktails was not as I had left it. 

“You know, when I worked concessions at Elf” I informed the bartender, “The drinks were called the “Naughty” and the “Nice!”” He appeared fascinated by this information. 

Prospects grew more worrisome as the show began. Santa’s North Pole living room trundled onstage to muted audience response—perhaps because the set piece resembled a high school scene shop creation. By the time four non-descript tables and a sad backdrop had floated on to vaguely indicate Santa’s Workshop, I became deeply concerned. Exactly how much scenic heavy lifting would be left to Ian William Galloway crude video designs, blown up on a giant screen looming over the sad, bare Marquis stage? 

This iteration of Elf, presumably designed for touring (set and costumes are by Tim Goodchild), is a far cry from David Rockwell’s colorful and sumptuous work at the Hirschfeld. I also felt disappointment with Buddy’s journey to New York City, a cheerful segment which director/choreographer Casey Nicholaw brought to easy, breezy life back in 2010. Under new choreographer Liam Steel’s more serviceable hand, hurtling from the North Pool to Times Square made for a less jubilant trip. 

__wf_reserved_inherit
The Company | Photo: Evan Zimmerman for MurphyMade

Had I made a horrible error? Did Elf now reflect rather than distract from a moment of horrible American decline, its cheapened and diminished form a reminder of the corporate soullessness rapidly sucking what little joy remained in our increasingly artless world?  

In dark times, though, hope remains. And there are still good people out there, putting in the work. 

As my Buddy’s Maple Old Fashioned began to settle in, I started to find the joy. The joy in Grey Henson’s delightfully sassy take on Buddy himself, an expert mix of warmth and dry deadpan. Or in Henson’s enjoyably cutting repartee with Kayla Davion’s Jovie—somehow, probably for the first time in this show’s history, the pair’s romance feels almost plausible. Or in Sean Astin’s surprise double-duty as both Santa and heartless executive Mr. Greenaway, the latter role forcing an admirably game Astin to attempt a few dance moves. The man cannot dance to save his life, but what an endearing delight to watch him try. 

The adults-only throwaway gags also started to hit for me. Like the embittered Jovie announcing that her favorite Billy Crystal movie is Throw Momma From the Train, or an exasperated Emily Hobbs (Ashley Brown) quieting her precocious son Michael (Kai Edgar) with, “Settle down, Brené Brown.” Also, Buddy greeting Jovie with the romantic opener. “I’d like to stick you on top of the Christmas tree,” one of several filthy come-ons which Henson goes out of his way to deliver with an inappropriate degree of sexual confidence. 

A couple seated behind me were also wasted by this point, which only added to my own enjoyment. “YAAAAS SEAN ASTIN,” they screamed as Samwise pulled out his unfortunate dance moves. Later, the two rightly lost their shit for show highlight “Nobody Cares About Santa,” a sharp ensemble number that sends a dozen out-of-work Santas twirling miserably as they bemoan our cynical times.

And then, finally, we came to my own personal favorite: “There Is A Santa Claus.” After witnessing certain evidence of the big man’s existence, Emily and Michael belted to the heavens of their renewed faith in all things Christmas: “There is…aaaaaa...Saaanta..Claaaaus!!!” Brown and Edgar hit that note, gloriously. I was transported back to a happier time. (“GIVE THAT BOY A TONY!” the drunk couple screamed.) 

Look. Times are tough. Our world is not, at this moment, all that “Sparkle-jolly-twinkle-jingley” (to reference another low-key banger of a number). Is this low-budget Elf actually good? I’m not sure. But in the end, it gave me exactly what I wanted: a fleeting flashback to more hopeful times, giddily channeled through overqualified Broadway talent going full-out on a dose of sugary schmaltz. For one brief shining moment, there was a Santa Claus.

Elf: The Musical is now in performance at the Marriott Marquis Theatre through January 4, 2025. For tickets and more information, visit here

Theatrely News
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
Theatrely News
READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
Theatrely News
"Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes"
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
By: Maia Penzer
14 July 2023

Finally, summer has arrived, which can only mean one thing: it's time for camp! Theater Camp, that is. Theatrely has a sneak peak at the new film which hits select theaters today. 

The new original comedy starring Tony Award winner Ben Platt and Molly Gordon we guarantee will have you laughing non-stop. The AdirondACTS, a run-down theater camp in upstate New York, is attended by theater-loving children who must work hard to keep their beloved theater camp afloat after the founder, Joan, falls into a coma. 

The film stars Ben Platt and Molly Gordon as Amos Klobuchar and Rebecca-Diane, respectively, as well as Noah Galvin as Glenn Wintrop, Jimmy Tatro as Troy Rubinsky, Patti Harrison as Caroline Krauss, Nathan Lee Graham as Clive DeWitt, Ayo Edebiri as Janet Walch, Owen Thiele as Gigi Charbonier, Caroline Aaron as Rita Cohen, Amy Sedaris as Joan Rubinsky, and Alan Kim as Alan Park. 

Theater Camp was directed by Molly Gordon and Nick Lieberman and written by Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt. Music is by James McAlister and Mark Sonnenblick. On January 21, 2023, Theater Camp had its world premiere at the Sundance Film Festival.

You can purchase tickets to the new film from our friends at Hollywood.com here.

READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
By: Kobi Kassal
29 May 2023

Actor Sean Hayes is what we in the biz call booked and blessed. On top of his Tony-nominated performance as Oscar Levant in Good Night, Oscar, Hayes has partnered with Todd Milliner and Carlyn Greenwald for the release of their new YA novel Time Out

Heralded by many as Heartstopper meets Friday Night Lights, Time Out follows hometown basketball hero Barclay Elliot who decides to use a pep rally to come out to his school. When the response is not what he had hoped and the hostility continually growing, he turns to his best friend Amy who brings him to her voting rights group at school. There he finds Christopher and… you will just have to grab a copy and find out what happens next. Luckily for you, Time Out hits shelves on May 30 and to hold you over until then we have a special except from the book just for Theatrely:

The good thing about not being on the team the past two weeks has been that I’ve had time to start picking up shifts again at Beau’s diner and save up a little for college now that my scholarship dreams are over.

     The bad part is it’s the perfect place to see how my actions at the pep rally have rotted the townspeople’s brains too.

     During Amy’s very intense musical theater phase in middle school, her parents took her to New York City. And of course she came back home buzzing about Broadway and how beautiful the piss smell was and everything artsy people say about New York. But she also vividly described some diner she waited three hours to get into where the waitstaff would all perform songs for the customers as a way to practice for auditions. The regulars would have favorite staff members and stan them the way Amy stans all her emo musicians.

     Working at Beau’s used to feel kind of like that, like I was part of a performance team I didn’t know I signed up for. The job started off pretty basic over the summer—I wanted to save up for basketball supplies, and Amy worked there and said it was boring ever since her e-girl coworker friend graduated. But I couldn’t get through a single lunch rush table without someone calling me over and wanting the inside scoop on the Wildcats and how we were preparing for the home opener, wanting me to sign an article in the paper or take a photo. Every friendly face just made the resolve grow inside me. People love and support the Wildcats; they would do the same for me.

     Yeah, right.

     Now just like school, customers have been glaring at me, making comments about letting everyone down, about being selfish, about my actions being “unfortunate,” and the tips have been essentially nonexistent. The Wildcats have been obliterated in half their games since I quit, carrying a 2–3 record when last year we were 5–0, and the comments make my feet feel like lead weights I have to drag through every shift.

     Today is no different. It’s Thursday, the usual dinner rush at Beau’s, and I try to stay focused on the stress of balancing seven milkshakes on one platter. A group of regulars, some construction workers, keep loudly wondering why I won’t come back to the team while I refuse proper eye contact.

     One of the guys looks up at me as I drop the bill off. “So, what’s the deal? Does being queer keep ya from physically being able to play?”

     They all snicker as they pull out crumpled bills. I stuff my hands into my pockets, holding my tongue.

     When they leave, I hold my breath as I take their bill.

     Sure enough, no tip.

     “What the fuck?” I mutter under my breath.

     “Language,” Amy says as she glides past me, imitating the way Richard says it to her every shift, and adds, “even though they are dicks.” At least Amy’s been ranting about it every free chance she gets. It was one thing when the student body was being shitty about me leaving the team, but the town being like this is even more infuriating. She doesn’t understand how these fully grown adults can really care that much about high school basketball and thinks they need a new fucking hobby. I finally agree with her.

     [She’s wearing red lipstick to go with her raccoon-adjacent eyeliner as she rushes off to prepare milkshakes for a pack of middle schoolers. I catch her mid–death glare as all three of the kids rotate in their chairs, making the old things squeal. My anger fades a bit as I can’t help but chuckle; Amy’s pissed-off reaction to Richard telling her to smile more was said raccoon makeup, and her tolerance for buffoonery has been at a negative five to start and declining fast.

     I rest my arms on the counter and try not to look as exhausted as I feel.

     “Excuse me!” an old lady screeches, making me jump.

     Amy covers up a laugh as I head to the old lady and her husband’s table. They’ve got finished plates, full waters. Not sure what the problem is. Or I do, which is worse.

     “Yes?” I say trying to suppress my annoyance.

     “Could you be bothered to serve us?”

     Only five more hours on shift. I have a break in three minutes. I’ll be with Devin at Georgia Tech tomorrow. “I’m sorry, ma’am,” I say, so careful to keep my words even, but I can feel my hands balling into fists. “What would you—?”

     And suddenly Amy swoops in, dropping two mugs of coffee down. “Sorry about that, you two,” she says, her voice extra high. “The machine was conking out on us, but it’s fine now.”

     Once the coffee is down, she hooks onto a chunk of my shirt, steering us back to the bar.

     “Thanks,” I mutter, embarrassed to have forgotten something so basic. Again.

     “Just keep it together, man,” she says. “Maybe you’d be better off with that creepy night shift where all the truckers and serial killers come in.”

     Honestly, at least the serial killers wouldn’t care about my jump shot.

     It’s a few minutes before my break, but clearly I need it. “I’ll be in the back room.”

     Right before I can head that way though, someone straight-up bursts into the diner and rushes over to me at the bar. It’s a middle-aged dad type, sunburned skin, beer belly, and stained T-shirt.

     “Pickup order?” I ask.

     “You should be ashamed,” he sneers at me. He has a really strong Southern accent, but it’s not Georgian. “Think you’re so high and mighty, that nothing’ll ever affect you? My kid’ll never go to college because of you and your lifestyle. Fuck you, Barclay Ell—”

     And before this man can finish cursing my name, Pat of all people runs in, wide-eyed in humiliation. “Jesus, Dad, please don’t—”

      I pin my gaze on him, remembering how he cowered on the bench as Ostrowski went off, how he didn’t even try to approach me. “Don’t even bother,” I snap.

     I shove a to-go bag into his dad’s arms, relieved it’s prepaid, and storm off to the break room.]

     Amy finds me head in my arms a minute or two later. I look up, rubbing my eyes. “Please spare me the pity.”

     She snorts and hands me a milkshake. Mint chocolate chip. “Wouldn’t dare.” She takes a seat and rolls her shoulders and neck, cracks sounding through the tiny room. “Do you want a distraction or a shoulder to cry on?”

For more information, and to purchase your copy of Time Out, click here.

Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes
By: Kaitlyn Riggio
5 July 2022

When the COVID-19 pandemic was declared a national emergency in the United States in March 2020, Broadway veteran stage manager Richard Hester watched the nation’s anxiety unfold on social media.

“No one knew what the virus was going to do,” Hester said. Some people were “losing their minds in abject terror, and then there were some people who were completely denying the whole thing.”

For Hester, the reaction at times felt like something out of a movie. “It was like the Black Plague,” he said. “Some people thought it was going to be like that Monty Python sketch: ‘bring out your dead, bring out your dead.’”

While Hester was also unsure about how the virus would unfold, he felt that his “job as a stage manager is to naturally defuse drama.” Hester brought this approach off the stage and onto social media in the wake of the pandemic.

“I just sort of synthesized everything that was happening into what I thought was a manageable bite, so people could get it,” Hester said. This became a daily exercise for a year. Over two years after the beginning of the pandemic, Hester’s accounts are compiled in the book, Hold Please: Stage Managing A Pandemic. Released earlier this year, the book documents the events of the past two years, filtering national events and day-to-day occurrences through a stage manager’s eyes and storytelling.

When Hester started this project, he had no intention of writing a book. He was originally writing every day because there was nothing else to do. “I am somebody who needs a job or needs a structure,” Hester said.

Surprised to find that people began expecting his daily posts, he began publishing his daily writing to his followers through a Substack newsletter. As his following grew, Hester had to get used to writing for an audience. “I started second guessing myself a lot of the time,” Hester said. “It just sort of put a weird pressure on it.”

Hester said he got especially nervous before publishing posts in which he wrote about more personal topics. For example, some of his posts focused on his experiences growing up in South Africa while others centered on potentially divisive topics, such as the 2020 election and the January 6, 2021, attack on the U.S. Capitol.

Despite some of this discomfort, Hester’s more personal posts were often the ones that got the most response. The experience offered him a writing lesson. “I stopped worrying about the audience and just wrote what I wanted to write about,” Hester said. “All of that pressure that I think as artists we put on ourselves, I got used to it.”

One of Hester’s favorite anecdotes featured in the book centers on a woman who dances in Washington Square Park on a canvas, rain or shine. He said he was “mesmerized by her,” which inspired him to write about her. “It was literally snowing and she was barefoot on her canvas dancing, and that seems to me just a spectacularly beautiful metaphor for everything that we all try and do, and she was living that to the fullest.”

During the creation of Hold Please, Hester got the unique opportunity to reflect in-depth on the first year of the pandemic by looking back at his accounts. He realized that post people would not remember the details of the lockdown; people would “remember it as a gap in their lives, but they weren’t going to remember it beat by beat.”

“Reliving each of those moments made me realize just how full a year it was, even though none of us were doing anything outside,” he adds. “We were all on our couches.” Readers will use the book as a way to relive moments of the pandemic’s first year “without having to wallow in the misery of it,” he hopes.

“I talk about the misery of it, but that’s not the focus of what I wrote... it was about hope and moving forward,” Hester said. “In these times when everything is so difficult, we will figure out a way to get through and we will move forward.”

Connect
Games

Media

No items found.

Let's Connect

Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

Let's Connect

Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

Mill Mountain

's Social Media

Share this Marquee

Check out this The Cake digital program by @Marquee.Digital.

Waiting for the Show to Start?

The Marquee has you covered.

Places in 5
Can you find the winning word in time?
Marquee Match
Find the match & take a bow.

Join the Team

Connect
Games

Media

Let's Connect

Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

Let's Connect

Theatre is all about connection. Follow us to keep in touch and stay up to date on all the latest news!

Waiting for the Show to Start?

The Marquee has you covered.

Places in 5
Can you find the winning word in time?
Marquee Match
Find the match & take a bow.
At This Performance
Hello! Please use portrait mode when viewing Marquee Digital Programs on a mobile device, in order to ensure the best user experience.
Event Date has Passed

Hello! It appears your event date has passed. You  can view the archived Event Marquee for 5 minutes before this pop up gets activated.

Event Preview

Hello! This is the Preview limit for your Event until the show's Opening Day. You will be able to view the Marquee for 5 minutes before this pop up gets activated. Simply refresh the page to restart the timer.