.png)
.png)
.png)
%20copy.webp)
.jpeg)
Suddenly Milo! This morning it was announced that Elizabeth Gilles and Milo Manheim are set to join the Off-Broadway production of Little Shop of Horrors next month. Gillies who has previously been on Broadway in 13 and most well known for her turn on Victorious stars as Audrey opposite Milo Manheim, most well known for Disney’s Zombies franchise. The duo plus Broadway vet Jeremy Kushnier will join the company Tuesday, February 25, 2025 at the Westside Theatre.
Current stars, three-time Tony Award nominee Sherie Rene Scott and Broadway star Nicholas Christopher will play their final performances in Little Shop of Horrors as Audrey and Seymour, respectively, on Sunday, February 23, 2025. They are currently joined in the cast by Reg Rogers as Mushnik, Major Attaway as The Voice of Audrey II, Tiffany Renee Thompson as Ronnette, Daria Pilar Redus as Crystal, and Morgan Ashley Bryant as Chiffon, as well as Camryn Hampton, Michael Iannucci, Weston Chandler Long, Jeff Sears, Teddy Yudain, Melissa Victor, Noel MacNeal, Johnny Newcomb, Jonothon Lyons, Christine Wanda, and Savannah Lee Birdsong. Teddy Yudain covers the role of Dr. Orin Scrivello through February 23.
Seymour is a down-on-his-luck florist with a crush on his co-worker Audrey. When he discovers a mysterious – and voracious – plant, suddenly Seymour and Audrey are thrust into an epic battle that will determine the fate of the entire human race. Little Shop of Horrors first premiered Off-Broadway in 1982, where it made audiences laugh, scream, and give up gardening for good. The musical has since catapulted into a global phenomenon, with productions across the world from Broadway to London’s West End, to Asia and Australia – plus a hit 1986 film adaptation directed by Frank Oz that starred Rick Moranis, Ellen Greene and Steve Martin. Now, the musical has made its highly-anticipated return home to Off-Broadway, in an intimate new production directed by Michael Mayer that offers an unprecedented opportunity to get close — maybe too close — to an incredible plant with an insatiable appetite.
With a book and lyrics by Grammy and Academy Award winner Howard Ashman (The Little Mermaid, Beauty and the Beast), and music by Tony and Academy Award winner Alan Menken (Aladdin, Newsies), the 2020 Drama League, Outer Critics Circle, and Drama Desk Award-winning Best Musical Revival. The show is directed by Tony Award winner Michael Mayer (Hedwig and the Angry Inch, Spring Awakening).
.jpeg)
It’s just like HR, but the fun kind! Before Sophie Carmen-Jones takes her final bow as Nine in Moulin Rouge! this Sunday, I caught up with her to reflect on the past few years in the role. She began as the original Nini in the West End company, and now she's ready to say goodbye.
Our conversation has been condensed and edited for clarity.
Theatrely: When you think about closing up your time with Moulin Rouge! in a few days, what emotions come to mind?
Sophie: Oh gosh all the feels! I have the best memories in this show. I think there might be a lot of tears from me on Sunday!
Would love to walk down memory lane for a moment, you opened the original West End company! What would you say has been the biggest difference between performing the show over there vs. here on Broadway?
So many little things are different between West End and Broadway, like company warm ups…they don’t happen here and I kind of miss that moment to check in with everyone. Another big difference is the interchanging cast here, in London it’s usually the same cast for 1 year but here you could watch every couple months and see a totally different cast each time.
When you found out you were going to be joining the Broadway company, what was that feeling like?
As good as winning the lottery I’d say! Not that I’ve won the lottery…that would be nice too ;)
You have been with the show now for a few years, do you feel you are ready to say goodbye to Nini?
Gosh that’s a tough question because I love playing her SO much. But I think as actors we have to stay curious and stretch ourselves in order to continue growing so this felt like the right time to fly the nest.
What will you miss most about your time at the Al Hirschfeld Theatre?
The people!! I’ve made so many wonderful friends there, I’ll miss laughing with them every day. But we always say in theatre…it’s never goodbye it’s see you later!
Do you have one specific memory throughout your time with moulin Rouge! that you will always remember?
I think the first preview in London was a big one for me. That first time in front of an audience feeling is exhilarating (and petrifying) and we’d been rehearsing and tech-ing for months so we were ready and raring, and the cast was on fire! Also my Broadway debut…that’s a night I’ll never forget, my fiancé and some of my best friends were here supporting and it felt like such a huge achievement :)
What advice do you have for future Nini’s?
Always warm up thoroughly and strength train outside of the show to avoid injury. Oh and stay playful, keep having fun!
What is the biggest thing Moulin Rouge! has taught you that you will bring to your next contract or show?
That being committed and consistent pays off and doesn’t go unnoticed. Stay that way.
If you could sum up your entire experience in one word, what would that be?
MOMENTOUS!
.jpeg)
It’s just like HR, but the fun kind! Before Sophie Carmen-Jones takes her final bow as Nine in Moulin Rouge! this Sunday, I caught up with her to reflect on the past few years in the role. She began as the original Nini in the West End company, and now she's ready to say goodbye.
Our conversation has been condensed and edited for clarity.
Theatrely: When you think about closing up your time with Moulin Rouge! in a few days, what emotions come to mind?
Sophie: Oh gosh all the feels! I have the best memories in this show. I think there might be a lot of tears from me on Sunday!
Would love to walk down memory lane for a moment, you opened the original West End company! What would you say has been the biggest difference between performing the show over there vs. here on Broadway?
So many little things are different between West End and Broadway, like company warm ups…they don’t happen here and I kind of miss that moment to check in with everyone. Another big difference is the interchanging cast here, in London it’s usually the same cast for 1 year but here you could watch every couple months and see a totally different cast each time.
When you found out you were going to be joining the Broadway company, what was that feeling like?
As good as winning the lottery I’d say! Not that I’ve won the lottery…that would be nice too ;)
You have been with the show now for a few years, do you feel you are ready to say goodbye to Nini?
Gosh that’s a tough question because I love playing her SO much. But I think as actors we have to stay curious and stretch ourselves in order to continue growing so this felt like the right time to fly the nest.
What will you miss most about your time at the Al Hirschfeld Theatre?
The people!! I’ve made so many wonderful friends there, I’ll miss laughing with them every day. But we always say in theatre…it’s never goodbye it’s see you later!
Do you have one specific memory throughout your time with moulin Rouge! that you will always remember?
I think the first preview in London was a big one for me. That first time in front of an audience feeling is exhilarating (and petrifying) and we’d been rehearsing and tech-ing for months so we were ready and raring, and the cast was on fire! Also my Broadway debut…that’s a night I’ll never forget, my fiancé and some of my best friends were here supporting and it felt like such a huge achievement :)
What advice do you have for future Nini’s?
Always warm up thoroughly and strength train outside of the show to avoid injury. Oh and stay playful, keep having fun!
What is the biggest thing Moulin Rouge! has taught you that you will bring to your next contract or show?
That being committed and consistent pays off and doesn’t go unnoticed. Stay that way.
If you could sum up your entire experience in one word, what would that be?
MOMENTOUS!
