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Grantors

Special Thanks

Donors

Donors

No items found.
Meet Our Donors

Tributes

Tributes

No items found.
Our Tributes

Performers

(in alphabetical order)

Ben Armstrong

*

Student Vocalist

Leah Bouldin

*

Student Vocalist

Matthew Carter

*

Lead Vocalist

Sarah Coleman

*

Lead Vocalist

Jeffrey Keller

*

Lead Vocalist

Larry Kufel

*

Featured Vocalist

Sylvia MacNab

*

Student Vocalist

James Moledor

*

Student Vocalist

Francesca Reilly

*

Lead Vocalist

Kennedy Salters

*

Lead Vocalist

Ruby Spence

*

Student Vocalist

DeMarion Williams

*

Student Vocalist

Setting

Presenting a musical journey thru the eras of the last 60 Seasons in SONG!

There will be a 15-minute intermission

Songs & Scenes

Act I
History of MMT
Opener
I Got A Feeling, Black Eyed Peas
Introductions
Doo Wah Diddy Diddy
1964
Beatles set: Hard Day’s Night I Want to Hold Your Hand All My Loving On The Street Where you Live, My Fair Lady Proud Mary, Tina Turner
Featured Staff Performances
You Make Me Feel So Young, Frank Sinatra Ain't That a Kick in the Head, Dean Martin
Conservtory Performance
Children Will Listen, Into the Woods I Won't Grow Up, Peter Pan
1976
Get Down Tonight/Shake Your Booty, KC and the Sunshine Band Dream On, Aerosmith Dancing Queen, ABBA Take it to the Limit, the Eagles Don’t Go Breaking my Heart, Elton John & Kiki Dee
INTERMISSION
Act II
The 1980's
Total Eclipse of the Heart, Bonnie Tyler Every Breath You Take, The Police Hungry Like the Wolf, Duran Duran Michael Jackson Thriller Medley (Thriller/Billie Jean/Beat It/Startin’ Somethin)
The 1990's
Hit Me Baby One More Time, Britney Spears Semi Charmed Life, Third Eye Blind Wannabe, Spice Girls My Heart Will Go On, Celine Dion
The 2000's
FourFive Seconds, Rihanna/Kanye Mean, Taylor Swift Love yourself, Justin Bieber Love on Top, Beyonce
Finale
I Got A Feeling, Black Eyed Peas

*Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Actors’ Equity Association (“Equity”), founded in 1913, is the U.S. labor union that represents more than 51,000 actors and stage managers, Equity fosters the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an International organization of performing arts unions. www.actorsequity.org

Production Staff

Producing Artistic Director/Choreographer
Ginger Poole
Music Director
Sam St. Ours
Youth Music Director
Bethany Costello
Lighting Designer
Savannah Woodruff
Sound Engineer
Sam Wood
Technical Director
Matt Shields
Spotlight Operator
Erin Markham
Spotlight Operator
Trenten Woods

Venue Staff

School Administration Staff

No items found.

Musicians

Music Director/Guitar
Sam St. Ours
Percussion
JT Fauber
Keys
Cindy Blevins
Bass
Jeff Hoffman

Board Members

Student Advisory Board

A Message from the Director

"𝐼 𝑐𝑜𝑢𝑙𝑑 𝑛𝑜𝑡 𝑏𝑒 𝑚𝑜𝑟𝑒 𝑒𝑥𝑐𝑖𝑡𝑒𝑑 and proud 𝑡𝑜 𝑐𝑒𝑙𝑒𝑏𝑟𝑎𝑡𝑒 𝑀𝑀𝑇’𝑠 60𝑡ℎ 𝐴𝑛𝑛𝑖𝑣𝑒𝑟𝑠𝑎𝑟𝑦 𝑆𝑒𝑎𝑠𝑜𝑛 𝑤𝑖𝑡ℎ 𝑡ℎ𝑖𝑠 𝑠𝑝𝑒𝑐𝑖𝑎𝑙 𝑐𝑜𝑛𝑐𝑒𝑟𝑡. 𝑊𝑒 𝑎𝑟𝑒 𝑎𝑏𝑙𝑒 𝑡𝑜 𝑏𝑟𝑖𝑛𝑔 𝑜𝑢𝑟 ℎ𝑖𝑠𝑡𝑜𝑟𝑦 𝑡𝑜 𝑡ℎ𝑒 𝑠𝑡𝑎𝑔𝑒 𝑡ℎ𝑟𝑜𝑢𝑔ℎ 𝑠𝑜𝑛𝑔 𝑎𝑛𝑑 𝑤𝑒 𝑔𝑒𝑡 𝑡𝑜 𝑤𝑒𝑙𝑐𝑜𝑚𝑒 𝑏𝑎𝑐𝑘 𝑚𝑎𝑛𝑦 𝑀𝑀𝑇 𝑎𝑙𝑢𝑚𝑠 𝑡𝑜 𝑙𝑒𝑎𝑑 𝑡ℎ𝑒 𝑤𝑎𝑦. 𝑇ℎ𝑎𝑛𝑘 𝑦𝑜𝑢 𝑓𝑜𝑟 𝑐𝑒𝑙𝑒𝑏𝑟𝑎𝑡𝑖𝑛𝑔 𝑤𝑖𝑡ℎ 𝑢𝑠 𝑎𝑛𝑑 𝑎𝑙𝑤𝑎𝑦𝑠 𝑏𝑒𝑖𝑛𝑔 ℎ𝑒𝑟𝑒 𝑡𝑜 𝑠𝑢𝑝𝑝𝑜𝑟𝑡 𝑀𝑖𝑙𝑙 𝑀𝑜𝑢𝑛𝑡𝑎𝑖𝑛 𝑇ℎ𝑒𝑎𝑡𝑟𝑒. 𝐻𝑒𝑟𝑒’𝑠 𝑡𝑜 𝑡ℎ𝑒 𝑛𝑒𝑥𝑡 60 𝑦𝑒𝑎𝑟𝑠!" 

-Ginger Poole, Producing Artistic Director

Mill Mountain Theatre

A Message from the Music Director

When we look back on the past, we often can’t do so without confronting the idea of legacy—what impression seen today is set by the thoughts and actions of yesterday? We are always surrounded by legacy in many forms, good and bad, in our everyday lives through such means as our art, government, relationships with friends and family, and, perhaps strongest of all, in our communities.

Mill Mountain Theatre turns 60 this year—a massive milestone for any theatre company to reach—and has undoubtedly played a major role in the greater Roanoke community and beyond for every one of those years. And so when we set out to craft the setlist for this year’s concert, we had one clear goal: to craft a musical journey that impresses on our audience just how remarkable 60 years truly is!

The world (and this community) has worn many faces between 1964 and 2024. How have we as both artists and audience members been reshaped by the major events of our times? At its core, theatre is an art form that seeks to amplify and preserve stories by presenting them in a palatable way for a modern audience, so how do we as theatremakers best accomplish that? Quite simply put, we listen.

We listen to the rally cries, the politicians, the breaking news headlines; we listen to our neighbors, our loved ones, and to those whom we’ve never met; we listen to the noise of product slogans, in-your-face advertisements, and experts telling us how our lives could be better if we just follow this one simple trick; we listen to the tragedies, the pandemics, those rare moments of silence that follow a community being shocked to its core. And when we look back from today’s vantage point for glimpses into what noise permeated the world in years past, perhaps the best place to start is in the popular music of that time. What better way to capture a snapshot of humanity than through its soundtrack?

And so we hope you’ll lean forward and join us as we take a journey through the landmark years and following decades of Mill Mountain Theatre’s history, all told through the most listened-to and shared songs in America during those times. Sing along, dance with us, and allow the memories to sweep you off your feet and into the different iterations of our world as we set sail on this musical odyssey. And for the 60th year, we hope you’ll enjoy the show here at Mill Mountain Theatre.

Cheers,

Sam Saint Ours

Cast
Creatives

Meet the Cast

Ben Armstrong

*

Student Vocalist
(
)
Pronouns:
He/Him

Ben Armstrong is excited to be returning to Mill Mountain Theatre in the 60th year anniversary concert. You may remember Ben from Best of Broadway (Soloist), Matilda The Musical (Doctor/Ensemble), Bright Star (Ensemble), Elf The Musical (Ensemble/Swing), and most recently in Escape to Margaritaville (Ensemble/ Swing) here at Mill Mountain Theatre. Some of his other favorite credits include Cinderella (Prince Topher) and The Secret Garden (Dickon) at Virginia Children's Theatre. Ben was the 2021 Sarabeth Hammond Scholarship recipient at Virginia Children's Theatre. He is also a part of the conservatory program here at MMT. This fall, Ben plans to continue his education and pursue his BFA in Musical Theatre. Ben would like to thank his mom, the cast, and the entire Mill Mountain Theatre staff for their continued love and support.

Leah Bouldin

*

Student Vocalist
(
)
Pronouns:
she/her

Leah Bouldin is a homeschooled highschool senior. She has been a part of Mill Mountain Theater for over four years, taking part in several classes and performances. One of her favorite performances has been Shakespeare’s “As You Like It”, back in 2022. She will be attending Ohio Christian University in the fall. She is so grateful and excited to be a part of Mill Mountain Theater’s 60th anniversary performance, and hopes to continue her relationship with MMT in the future. She would like to thank her parents for always supporting her pursuit of performance, and Mill Mountain Theater for giving her a wonderful place to grow in her skills and love for the arts. Enjoy the show! 

 

Matthew Carter

*

Lead Vocalist
(
)
Pronouns:
he/him

Matthew Carter (Kearney, NE, native) received a Bachelor of Music (Vocal Performance) from the University of Nebraska-Lincoln. Regional: RENT at Theatre Aspen, In The Heights (Ensemble, u/s Benny) at Pennsylvania Shakespeare Festival, The Pirates of Penzance with New York Gilbert and Sullivan Players, RENT (Tom Collins) at San Antonio Broadway Theatre, Sister Act (Eddie) and Next to Normal (Dr. Madden) at Crane River Theater, Pippin (Lewis) and Avenue Q (Princeton) at Nebraska Repertory Theatre. Concert: Good And Evil: The Music of Dracula, Jekyll and Hyde and Louder than Words (Michael Anthony Theatrical), Boy Bands Through the Ages and The Best of Broadway (Mill Mountain Theatre). Matthew would like to thank his fiance, Mollie, and his family for their endless love and support. Matthew-v-carter.com @matthew_v_carter

Sarah Coleman

*

Lead Vocalist
(
)
Pronouns:
she/her

Sarah Coleman is so thrilled to be returning to Mill Mountain Theatre for her third concert! You may remember her from The Ladies of the 80s and The Best of Broadway concerts, or most recently, Bright Star. Sarah is from the small town of Tazewell, VA and earned her bachelors in Theatre Performance from Radford University. Some favorite credits include: Brooke Wyndham (Legally Blonde), (Lilli Vanessi/Kate (Kiss Me, Kate) Heather Duke/Dance Captain (Heathers: The Musical), Reno Sweeney (Anything Goes), and Petulia Croserie (Hell in High Water) where she was a featured vocalist on the MS cast recording with original music from grammy nominee, Vasti Jackson. Always a huge thanks to Matt and Ginger and the entire MMT staff and crew, the band for slaying the house down every night, and to YOU for supporting live theatre.

Jeffrey Keller

*

Lead Vocalist
(
)
Pronouns:
he/him

Jeffrey Keller (Vocalist) Is thrilled to be returning to MMT! A few past credits include Last Five Years (Jamie), Xanadu (Sonny), Elf (Buddy), Little Shop of Horrors (Orin/Dentist), Footloose (Willard), Hair (Berger), Mamma Mia! (Sky). He received his BFA in musical theatre from Illinois Wesleyan University. When not acting, Jeffrey does stand-up comedy all around NYC. Jeffrey would like to thank his parents for their never-ending love and support and Amanda for putting up with him. @Jeffrey_Keller

Larry Kufel

*

Featured Vocalist
(
)
Pronouns:

As a graduate of the University of Buffalo with a bachelor’s degree in business administration and accounting, Larry spent most of his career in the financial field within the wholesale and retail industry in his native area of western New York. He relocated to Roanoke in 2000 to assume the position of director of financial planning and analysis with Advance Auto Parts. He later held a similar role with the Sheraton Roanoke Hotel and Conference Center until his retirement in 2015. Larry began his career with Mill Mountain Theatre by volunteering his services as the theatre house manager before he was employed as the business manager. Larry has made singing appearances in the Mill Mountain Theatre Crooner’s Concert in
October 2021 and in the Best of Broadway concert in April 2023.

Sylvia MacNab

*

Student Vocalist
(
)
Pronouns:
she/her

Sylvia MacNab is a senior at Blacksburg High School. She is excited to be returning to Mill Mountain Theatre. Her favorite credits include Cinderella (Ella), The Addams Family (Morticia), Fun Home (Small Alison), The Sound of Music (Brigitta), and A Midsummer Night’s Dream (Helena). In her free time, Sylvia enjoys going into the woods to sleep in tents on foam mats and eat rehydrated meals, climbing rock faces most people would avoid, and knitting. She would like to thank her friends and family for their continued support and encouragement. Enjoy the concert!

James Moledor

*

Student Vocalist
(
)
Pronouns:
he/him

James Moledor is a high school senior who is excited to be back on stage at MMT! Some of his favorite credits include Bright Star (Ensemble), Elf the Musical (Ensemble), Matilda: The Musical (Rudolpho/Ensemble), The Sound of Music (Friedrich), Shrek TYA(Pinocchio), and A Christmas Story (Ensemble). He has been taking MMT Conservatory classes for over seven years and is extremely grateful for all the opportunities he has been given. Some of his other interests include photography and piano playing. After graduation, he plans on attending the Catholic University of America to study musical theatre. He would like to thank his family for supporting him in all his endeavors.

Francesca Reilly

*

Lead Vocalist
(
Director of Education
)
Pronouns:
she/her

Francesca Reilly is a performer and educator whose love for theatre began at 9 years old. A Northern Virginian turned Roanoke native, Francesca moved to the star city after graduating with her Bachelor's in Music and is currently pursuing her Master's of Music Education.

Since graduating, Francesca has had the privilege of touring with the state children's theatres of Virginia and North Carolina. Some of her favorite acting credits include Junie B. Jones (Junie), Goodnight Moon (Mouse), and Mill Mountain's most recent tour Stellaluna (Pinduli).

Beyond her career as an actor, Francesca serves as the Director of Education for Mill Mountain, teaching the talented upcoming stars of the valley! She is thrilled to be back on the main stage for this year's concert celebrating 60 years! Francesca would like to thank the cast, crew, and staff, as well as her friends and family for all their love and continuous support.

Kennedy Salters

*

Lead Vocalist
(
)
Pronouns:
She/her

Salters is an Atlanta bred actress, songstress, and writer. Recent credits: Broadway: Waitress the Musical. National Tours: Waitress the Musical. Regional: Little Shop Horrors, Mamma Mia!, Legally Blonde, Saturday Night Fever, Once on This Island. 

Ruby Spence

*

Student Vocalist
(
)
Pronouns:
She/Her

Ruby is a current senior and Salem High School, and has been doing theater for about 4 years. She started becoming involved with Mill Mountain Theater two years ago with her role in Shakespeare's "As You Like It". Following that, she's been in many MMT productions, such as Peter and Wendy, Charlotte's Web, and Matilda! She is so excited to be in MMT's 60th Anniversary Concert!

DeMarion Williams

*

Student Vocalist
(
)
Pronouns:
he/him

DeMarion Williams is a senior at WBHS and an aspiring actor, singer, and performer with a passion for bringing stories to life. He’s dedicated to pushing the boundaries of his craft and exploring new ways to connect with audiences. He looks forward to creating something special with every production. He’s been seen in Attic’s Treasure Island as Captain Long John Silver, Attic’s Annie, Get Your Gun as Tommy Keeler, Mill Mountain Theatre's Charlotte's Web as John Arable, and Mill Mountain Theatre’s Matilda the Musical as The Escapologist. DeMarion also appeared as Landon in The Richmond Film Network’s table read of This Is the Night, written by Danny Bryan. He’s currently playing Miles Tuck in Burton’s Center for Performing Arts production of Tuck Everlasting.

 

Meet the Team

Cindy Blevins

*

Keyboard
(
)
Pronouns:
she/her

Cindy Blevins is a local musician and performer trained in both the classical and musical theatre realms.  After studying piano for 14 years and earning a BA in Music she went on to teach voice and piano both privately and in public school systems and also sing with different groups in and around Richmond, VA, her hometown.  After moving to the New River Valley she continued performing with Opera Roanoke, Summer Musical Enterprise, Mill Mountain Theatre, Blacksburg Master Chorale, Virginia Tech Theatre Department and Virginia Children’s Theatre.  She stays busy as a collaborative pianist/accompanist with individuals and groups, and as a director and coach with music makers of all ages, most recently serving as Musical Director for Bat Boy the Musical at Radford University. Past MMT productions she has supported as a keyboard player include Jersey Boys and Elf the Musical.   Cindy is the Chairperson for Summer Musical Enterprise headquartered in Blacksburg, and the Assistant Director of Music at Blacksburg United Methodist Church. She is also a Licensed Professional Counselor with Life in Balance Counseling Center in Christiansburg.  Cindy is thrilled to be supporting MMT’s 60th Anniversary Concert with her Mill Mountain Theatre family! 

Bethany Costello

*

Conservatory Music Director
(
Education Music Director
)
Pronouns:
she/her/hers

Bethany Costello is a Roanoke-based Music Director, Educator and Theatre Artist. A BFA Musical Theatre Graduate of the SC School of the Arts, Bethany loves sharing her passion of Theatre for Young Audiences locally and nationally. This passion has led her to working on regional premiers, national tours and creating with companies such as The REV Theatre Company, The Kennedy Center, Florida Repertory Theatre, Mill Mountain Theatre, Virginia Children’s Theatre, Lexington Children’s Theatre, Missoula Children’s Theatre and Anderson University. Favorite creative team credits include: MATILDA, SISTER ACT, SHE LOVES ME, THE WIZARD OF OZ and ALICE IN WONDERLAND.

Through teaching artistry, Bethany hopes to empower students of all ages by listening to their stories, equipping them with new tools to effectively engage with others and reminding them of their greatest power: themselves! In her pursuit to foster accessibility and joy for the arts to students of all ages, Bethany is a proud Elementary Music Teacher within Roanoke City Public Schools, as well as the Conservatory Music Director here at Mill Mountain Theatre. 

J.T. Fauber

*

Percussion
(
)
Pronouns:
he/him

J.T. has been playing drums at Mill Mountain since 2008. His favorite show was "My Son Pinocchio" which included his wife Rachel on piano and both kids, Kyle and Caroline, on stage. Early in his career J.T. performed in the country show at Kings Dominion and on the La Boheme cruise ship. Currently he plays with The Boogie Kings, a ragtime / dixieland group that has been together since 1986. He also plays with the 1st Baptist Roanoke orchestra, The Winds of the Blue Ridge, and the Let's Dance big band. J.T. is the owner of Sun Tan City and Buff City Soap, both supporters of Mill Mountain Theatre.

Jeff Hoffman

*

Bass
(
)
Pronouns:
he/him

An appreciator of all music genres, Jeff began his formal study of bass at Roanoke College under the direction of Alan Weinstein, Assistant Professor of Cello and Bass at Roanoke College/Virginia Tech and a member of the Kandinsky Trio. Jeff currently teaches bass at Hollins University.

Jeff has committed countless hours to his craft and has played in bands covering jazz, gypsy jazz, blues, funk, pop, Latin, Americana, 80s, and more. His passion for folk and cultural music of different eras and geographic regions drives his desire to possess a deeper understanding of music and its subtle nuances. Prompted by his desire to educate through music, Jeff created Unison Foundation in 2004 to support artists and musicians in southwestern Virginia through performances, workshops, and free promotion.

He managed and performed with four music groups who were registered with the Virginia Commission for the Arts. Additionally, he was invited to participate in the 37th annual Smithsonian Folklife Festival. His bass work has appeared on more than 60 albums, as well as television and movie soundtracks, and musical productions.

Highlights for him include a film entitled “Down in the Old Belt: Voices from the Tobacco South”, commission work for an animated trailer featured at the historic Grandin Theatre in Roanoke, VA. Additional films include “The Joneses” (David Duchovny, Demi Moore), “Baby Baby Baby” (Kelsey Grammar, Bradley Cooper, William Shatner, Cloris Leachman), as well as the pilot episode of Showtime’s “Homeland”.

Having performed internationally and with more than 30 years of experience producing and performing on the instrument, Jeff brings a wealth of wisdom to anyone seeking to expand their knowledge about the bass.

Erin Markham

*

Spotlight Operator
(
)
Pronouns:
She/Her

Erin Markham is a Roanoke native with a lifelong passion for the arts. She graduated summa cum laude from Radford University with a B.S. in Theatre and an emphasis in stage management. Along with stage managing several productions and student projects at RU, Erin worked as a House Manager, Box Office Assistant, Carpenter, and an Electrician. In previous summers, Erin has worked with the Christiansburg Dance Academy, the Virginia Governor’s School for Arts and Humanities, and Mill Mountain Theatre’s Education tour of Curious George: The Golden Meatball. Her most recent work includes Assistant Stage Manager for Mill Mountain Theatre’s productions of Escape to Margaritaville, Elf, Bright Star, Jersey Boys, Holiday Inn, The Diary of Anne Frank, and Fun Home. Erin is thrilled to be learning a new skill in the theatre and hopes you enjoyed this blast from MMT’s muse-ical past! (ba-dum tsss)

Ginger Poole

*

Producing Artistic Director
(
Director/Choreographer
)
Pronouns:
She/Her

Ginger Poole is a proud member of Actor’s Equity Association and an Associate member of the
Stage Directors and Choreographers Union. She has studied, taught, choreographed, and performed throughout the U.S. She has worked in GA, HI, FL, MS, SC and VA with, Theatre in the Square, The Alliance City Series, Theatre Gael, Synchronicity Performance Group-GA, Mill Mountain Theatre-VA and SC Children’s Theatre. Originally from Atlanta, she has worked with the N.F.L. and The Atlanta Falcons as their director and choreographer and The Atlanta Opera.

Prior to coming to Mill Mountain Theatre, she was based out of North Carolina where she has worked with Flat Rock Playhouse, the State Theatre of North Carolina, in over 25 productions. She was a part of the Education program at Flat Rock Playhouse for 5 years where she taught for their Apprentice Companies and their Conservatory Program in Acting, Dance, and Musical Theatre.

Ginger has taught at The University of Southern Mississippi, Western Carolina University, William Carey College, Mississippi University for Women, and currently teaches at Hollins University.

With Ginger’s strong background in dance she finds herself not only acting and dancing on stage but also directing the choreography and classroom skills for her students. Ginger holds her M.F.A. in Acting Performance from the University of Southern Mississippi and continues to teach acting and dance.  She has worked with students that range in age from kindergarten through professionals.

Ginger has worked in commercials, voice-overs, film, stage, and the classroom, and was profiled in the book FIRESTARTERS as “the actor”.

Ginger serves on the following Board of Directors: South Eastern Theatre Conference (SETC Secretary, Second Term), Junior League of the Roanoke Valley (Past President and Current Nominating Committee, Second Term), Burton Performing Arts Advisory Board, The Roanoke City Public Schools Education Foundation, and she has served on the Review Panel for the
Virginia Commission for the Arts. She was the recipient of the DePaul’s Women of Achievement Award in the Arts in 2013 and was named the 2016 Kendig Award recipient for Individual Artist. Ginger is also a guest host with WSLS, the NBC affiliate, Daytime Blue Ridge television show, and is the host of the new Mill Mountain Theatre Podcast, Meet Me at Mill Mountain. She is very proud to be a member of the Mill Mountain Theatre team and looks forward to its continued growth, success, and artistic influence in the region.

 

A note from the Director:

"I could not be more excited to celebrate MMT’s 60th Anniversary Season with this special concert. We are able to bring our history to the stage through song. And we get to welcome back many MMT alums to lead the way. Thank you for celebrating with us and always being here to support Mill Mountain Theatre. Here’s to the next 60 years!"

 

-Ginger Poole

Producing Artistic Director, Mill Mountain Theatre

 

Sam Saint Ours

*

Music Director/Guitar
(
)
Pronouns:
He/Him

Sam is an Equity actor, instrumentalist, and music director from the Shenandoah Valley, and he is thrilled to be working on this concert! Past music directing and composing credits include Escape to Margaritaville, Elf, Bright Star, Once, The Lightning Thief, and almost the entireity of Shakespeare's canon with multiple companies. Selected performing credits include three years and dozens of plays as a resident member at the American Shakespeare Center, the 2019 national tour of Once, and work with the Olney Theatre Center, Cape May Stage, Atlantic Theatre Co., and more. If he isn't at rehearsal, you can find Sam at any hour of the day walking his literal angel of a dog, Nona, around every nook and cranny of Roanoke, seeking out good frisbee spots and delicious vegan muffins. All thanks in the world go to his perpetually supportive family, the wonderful team at MMT, and steel cut oats.

Samuel Wood

*

Sound Designer
(
)
Pronouns:
He/Him

Samuel Wood is from West Monroe Louisiana and is a graduate of Radford University. Throughout his studies, he designed sound for several productions at Radford University including recent productions like Rainbow Fish: The Musical, Much Ado, and Silent Sky. He also designed scenic for productions like Red Light Winter and Cows Don’t Fly and Other Known Facts. He is currently working as a production assistant, as well as, a sound and set designer. He would like to thank all his family and friends who have supported him in pursuing his passion for theatre. 

Savannah Woodruff

*

Lighting Designer
(
Assistant Technical Director & Lighting and Sound Supervisor
)
Pronouns:
they/she

Born and raised in Southern Pines, North Carolina, Savannah has been a resident of Roanoke since they graduated with a BFA in Technical Production from The University of North Carolina at Greensboro. Savannah is an aficionado of a variety of arts and crafts, and is thrilled to be able to continue working and growing (and crafting!) with Mill Mountain Theatre. They are grateful for the support of their family, including their cats, in all of their endeavors.

Trenten Woods

*

Spotlight Operator
(
Carpenter
)
Pronouns:
he/him

Trenten Woods has spent most of his life just outside of Richmond, Virginia. Prior to coming to Mill Mountain, He graduated from Longwood University in 2021 with a B.A. in Theatre. Besides this, Trenten has worked professionally as a carpenter both in and out of the theatre. He would like to thank his family for their support. Trenten is super excited to join the Mill Mountain team and continue to work and grow.

Trenten Woods

*

Spotlight Operator
(
)
Pronouns:

Trenten Woods has spent most of his life just outside of Richmond, Virginia. Prior to coming to Mill Mountain, He graduated from Longwood University in 2021 with a B.A. in Theatre. Besides this, Trenten has worked professionally as a carpenter both in and out of the theatre. He would like to thank his family for their support. Trenten is super excited to join the Mill Mountain team and continue to work and grow.

Media

No items found.
2021 National Touring Cast

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Located in the heart of the Blue Ridge Mountains in Roanoke, Virginia, Fortunato is the region's only traditional Italian kitchen & Neapolitan style pizzeria.

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Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

Martin's

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio. ‍

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The Hangry Bulldog

Burgers and Bratwurst
|
32 Market Square SE #134 inside.

We are a family-orientated business who enjoy sharing our culinary combinations! Get 15% off when you show your ticket stub from any Mill Mountain show!

The Hangry Bulldog

Burgers and Bratwurst
|
32 Market Square SE #134 inside.

We are a family-orientated business who enjoy sharing our culinary combinations! Get 15% off when you show your ticket stub from any Mill Mountain show!

Marquee Deal!

Get 15% off your meal when you show your ticket stub or ticket from your phone for any Mill Mountain Theatre production.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

The Pine Room

American
|
110 Shenandoah Ave NE

From the snack n' share options and hearth flatbreads to the farmland offerings and signature items, The Pine Room features American Rustic cuisine that presents simplistic, sustainable, and high-quality ingredients in an inviting presentation.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

The Regency Room

American
|
110 Shenandoah Ave NE

Enjoy dining al fresco! Spring is here and it's patio season! The Regency Room and The Pine Room Pub are the perfect place to enjoy dinner or drinks on the patio with spring in the air!

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Awful Arthur's‍

Seafood
|
108 Campbell Ave SE

Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.

Awful Arthur's‍

Seafood
|
108 Campbell Ave SE

Modern tavern offering varied seafood, bar bites & a raw bar plus sports on TV & live music.

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Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Corned Beef & Co‍

Gastropub
|
107 S Jefferson St

Sports bar serves sandwiches & pub grub in expansive digs equipped with pool tables & countless TVs.

Marquee Deal!

Crescent City Bourbon and Barbecue

Barbecue
|
19 Salem Ave SE

The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.

Crescent City Bourbon and Barbecue

Barbecue
|
19 Salem Ave SE

The smoked meat is made with care and passion in a stick burner smoker and indoor wood burning smoker.

Marquee Deal!

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Jack Brown's Beer & Burger Joint

Hamburger
|
210B Market St SE

Bar chain serving creative burgers & a lengthy list of beers in a casual, funky space.

Marquee Deal!

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Nawab Indian Cuisine

Indian
|
118A Campbell Ave SE

Indian classics & all-you-can-eat buffet lunches, served in a low-key traditional dining room.

Marquee Deal!

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

Wasabi's

Japanese
|
214 Market St SE

Casual Japanese restaurant offering a large sushi menu, plus maki, traditional entrees & bento.

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Raise a Glass

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Sidecar

Tavern
|
413 1st St SW

Casual dining on burgers, BBQ & other bar food in an open tavern setting with live music & a patio.

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Three Notch'd Brewing Co.

European
|
411 1st St SW

The food menu features traditional European foods like handmade sausages in traditional German, Polish, and English styles, as well as Belgian hand-cut fries, mussels, steak frites, and Polish pierogies.

Marquee Deal!

‍Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Twisted Track Brewpub

Pub
|
523 Shenandoah Ave NW

In addition to hand crafted beer, we offer pub fare with yet another twist and a selection of wines, ciders and soft drinks – something for everyone.‍

Marquee Deal!

Have a group ticket? Show your MMT Ticket stub to receive 10% off your meal! Valid for one-time use only at participating restaurants.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Benny Marconi's

Pizza
|
120 Campbell Ave SE

Serving huge slices of pizza in downtown Roanoke, VA. Established in 2012.

Marquee Deal!

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Billy's

American
|
102 Market St SE

Buzzy dining room with a full wooden bar plating refined American cuisine such as lobster Alfredo.

Marquee Deal!

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Fork in the Market

American
|
32 Market Square SE

Quirky, independent eatery offering updated comfort food, a full bar, a patio & live music nightly.

Marquee Deal!

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Texas Tavern

American
|
114 Church Ave SW

Family-owned since 1930, this 24/7 diner offers breakfast, burgers, sandwiches & its popular chili.

Marquee Deal!

While You Wait

With the help of our friends at Theatrely.com, Marquee Digital has you covered with exclusive content while you wait for the curtain to rise.

Theatrely News
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
Theatrely News
READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
Theatrely News
"Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes"
EXCLUSIVE: Watch A Clip From THEATER CAMP Starring Ben Platt, Noah Galvin, and Molly Gordon
By: Maia Penzer
14 July 2023

Finally, summer has arrived, which can only mean one thing: it's time for camp! Theater Camp, that is. Theatrely has a sneak peak at the new film which hits select theaters today. 

The new original comedy starring Tony Award winner Ben Platt and Molly Gordon we guarantee will have you laughing non-stop. The AdirondACTS, a run-down theater camp in upstate New York, is attended by theater-loving children who must work hard to keep their beloved theater camp afloat after the founder, Joan, falls into a coma. 

The film stars Ben Platt and Molly Gordon as Amos Klobuchar and Rebecca-Diane, respectively, as well as Noah Galvin as Glenn Wintrop, Jimmy Tatro as Troy Rubinsky, Patti Harrison as Caroline Krauss, Nathan Lee Graham as Clive DeWitt, Ayo Edebiri as Janet Walch, Owen Thiele as Gigi Charbonier, Caroline Aaron as Rita Cohen, Amy Sedaris as Joan Rubinsky, and Alan Kim as Alan Park. 

Theater Camp was directed by Molly Gordon and Nick Lieberman and written by Noah Galvin, Molly Gordon, Nick Lieberman & Ben Platt. Music is by James McAlister and Mark Sonnenblick. On January 21, 2023, Theater Camp had its world premiere at the Sundance Film Festival.

You can purchase tickets to the new film from our friends at Hollywood.com here.

READ: An Excerpt From Sean Hayes Debut YA Novel TIME OUT
By: Kobi Kassal
29 May 2023

Actor Sean Hayes is what we in the biz call booked and blessed. On top of his Tony-nominated performance as Oscar Levant in Good Night, Oscar, Hayes has partnered with Todd Milliner and Carlyn Greenwald for the release of their new YA novel Time Out

Heralded by many as Heartstopper meets Friday Night Lights, Time Out follows hometown basketball hero Barclay Elliot who decides to use a pep rally to come out to his school. When the response is not what he had hoped and the hostility continually growing, he turns to his best friend Amy who brings him to her voting rights group at school. There he finds Christopher and… you will just have to grab a copy and find out what happens next. Luckily for you, Time Out hits shelves on May 30 and to hold you over until then we have a special except from the book just for Theatrely:

The good thing about not being on the team the past two weeks has been that I’ve had time to start picking up shifts again at Beau’s diner and save up a little for college now that my scholarship dreams are over.

     The bad part is it’s the perfect place to see how my actions at the pep rally have rotted the townspeople’s brains too.

     During Amy’s very intense musical theater phase in middle school, her parents took her to New York City. And of course she came back home buzzing about Broadway and how beautiful the piss smell was and everything artsy people say about New York. But she also vividly described some diner she waited three hours to get into where the waitstaff would all perform songs for the customers as a way to practice for auditions. The regulars would have favorite staff members and stan them the way Amy stans all her emo musicians.

     Working at Beau’s used to feel kind of like that, like I was part of a performance team I didn’t know I signed up for. The job started off pretty basic over the summer—I wanted to save up for basketball supplies, and Amy worked there and said it was boring ever since her e-girl coworker friend graduated. But I couldn’t get through a single lunch rush table without someone calling me over and wanting the inside scoop on the Wildcats and how we were preparing for the home opener, wanting me to sign an article in the paper or take a photo. Every friendly face just made the resolve grow inside me. People love and support the Wildcats; they would do the same for me.

     Yeah, right.

     Now just like school, customers have been glaring at me, making comments about letting everyone down, about being selfish, about my actions being “unfortunate,” and the tips have been essentially nonexistent. The Wildcats have been obliterated in half their games since I quit, carrying a 2–3 record when last year we were 5–0, and the comments make my feet feel like lead weights I have to drag through every shift.

     Today is no different. It’s Thursday, the usual dinner rush at Beau’s, and I try to stay focused on the stress of balancing seven milkshakes on one platter. A group of regulars, some construction workers, keep loudly wondering why I won’t come back to the team while I refuse proper eye contact.

     One of the guys looks up at me as I drop the bill off. “So, what’s the deal? Does being queer keep ya from physically being able to play?”

     They all snicker as they pull out crumpled bills. I stuff my hands into my pockets, holding my tongue.

     When they leave, I hold my breath as I take their bill.

     Sure enough, no tip.

     “What the fuck?” I mutter under my breath.

     “Language,” Amy says as she glides past me, imitating the way Richard says it to her every shift, and adds, “even though they are dicks.” At least Amy’s been ranting about it every free chance she gets. It was one thing when the student body was being shitty about me leaving the team, but the town being like this is even more infuriating. She doesn’t understand how these fully grown adults can really care that much about high school basketball and thinks they need a new fucking hobby. I finally agree with her.

     [She’s wearing red lipstick to go with her raccoon-adjacent eyeliner as she rushes off to prepare milkshakes for a pack of middle schoolers. I catch her mid–death glare as all three of the kids rotate in their chairs, making the old things squeal. My anger fades a bit as I can’t help but chuckle; Amy’s pissed-off reaction to Richard telling her to smile more was said raccoon makeup, and her tolerance for buffoonery has been at a negative five to start and declining fast.

     I rest my arms on the counter and try not to look as exhausted as I feel.

     “Excuse me!” an old lady screeches, making me jump.

     Amy covers up a laugh as I head to the old lady and her husband’s table. They’ve got finished plates, full waters. Not sure what the problem is. Or I do, which is worse.

     “Yes?” I say trying to suppress my annoyance.

     “Could you be bothered to serve us?”

     Only five more hours on shift. I have a break in three minutes. I’ll be with Devin at Georgia Tech tomorrow. “I’m sorry, ma’am,” I say, so careful to keep my words even, but I can feel my hands balling into fists. “What would you—?”

     And suddenly Amy swoops in, dropping two mugs of coffee down. “Sorry about that, you two,” she says, her voice extra high. “The machine was conking out on us, but it’s fine now.”

     Once the coffee is down, she hooks onto a chunk of my shirt, steering us back to the bar.

     “Thanks,” I mutter, embarrassed to have forgotten something so basic. Again.

     “Just keep it together, man,” she says. “Maybe you’d be better off with that creepy night shift where all the truckers and serial killers come in.”

     Honestly, at least the serial killers wouldn’t care about my jump shot.

     It’s a few minutes before my break, but clearly I need it. “I’ll be in the back room.”

     Right before I can head that way though, someone straight-up bursts into the diner and rushes over to me at the bar. It’s a middle-aged dad type, sunburned skin, beer belly, and stained T-shirt.

     “Pickup order?” I ask.

     “You should be ashamed,” he sneers at me. He has a really strong Southern accent, but it’s not Georgian. “Think you’re so high and mighty, that nothing’ll ever affect you? My kid’ll never go to college because of you and your lifestyle. Fuck you, Barclay Ell—”

     And before this man can finish cursing my name, Pat of all people runs in, wide-eyed in humiliation. “Jesus, Dad, please don’t—”

      I pin my gaze on him, remembering how he cowered on the bench as Ostrowski went off, how he didn’t even try to approach me. “Don’t even bother,” I snap.

     I shove a to-go bag into his dad’s arms, relieved it’s prepaid, and storm off to the break room.]

     Amy finds me head in my arms a minute or two later. I look up, rubbing my eyes. “Please spare me the pity.”

     She snorts and hands me a milkshake. Mint chocolate chip. “Wouldn’t dare.” She takes a seat and rolls her shoulders and neck, cracks sounding through the tiny room. “Do you want a distraction or a shoulder to cry on?”

For more information, and to purchase your copy of Time Out, click here.

Reframing the COVID-19 Pandemic Through a Stage Manager’s Eyes
By: Kaitlyn Riggio
5 July 2022

When the COVID-19 pandemic was declared a national emergency in the United States in March 2020, Broadway veteran stage manager Richard Hester watched the nation’s anxiety unfold on social media.

“No one knew what the virus was going to do,” Hester said. Some people were “losing their minds in abject terror, and then there were some people who were completely denying the whole thing.”

For Hester, the reaction at times felt like something out of a movie. “It was like the Black Plague,” he said. “Some people thought it was going to be like that Monty Python sketch: ‘bring out your dead, bring out your dead.’”

While Hester was also unsure about how the virus would unfold, he felt that his “job as a stage manager is to naturally defuse drama.” Hester brought this approach off the stage and onto social media in the wake of the pandemic.

“I just sort of synthesized everything that was happening into what I thought was a manageable bite, so people could get it,” Hester said. This became a daily exercise for a year. Over two years after the beginning of the pandemic, Hester’s accounts are compiled in the book, Hold Please: Stage Managing A Pandemic. Released earlier this year, the book documents the events of the past two years, filtering national events and day-to-day occurrences through a stage manager’s eyes and storytelling.

When Hester started this project, he had no intention of writing a book. He was originally writing every day because there was nothing else to do. “I am somebody who needs a job or needs a structure,” Hester said.

Surprised to find that people began expecting his daily posts, he began publishing his daily writing to his followers through a Substack newsletter. As his following grew, Hester had to get used to writing for an audience. “I started second guessing myself a lot of the time,” Hester said. “It just sort of put a weird pressure on it.”

Hester said he got especially nervous before publishing posts in which he wrote about more personal topics. For example, some of his posts focused on his experiences growing up in South Africa while others centered on potentially divisive topics, such as the 2020 election and the January 6, 2021, attack on the U.S. Capitol.

Despite some of this discomfort, Hester’s more personal posts were often the ones that got the most response. The experience offered him a writing lesson. “I stopped worrying about the audience and just wrote what I wanted to write about,” Hester said. “All of that pressure that I think as artists we put on ourselves, I got used to it.”

One of Hester’s favorite anecdotes featured in the book centers on a woman who dances in Washington Square Park on a canvas, rain or shine. He said he was “mesmerized by her,” which inspired him to write about her. “It was literally snowing and she was barefoot on her canvas dancing, and that seems to me just a spectacularly beautiful metaphor for everything that we all try and do, and she was living that to the fullest.”

During the creation of Hold Please, Hester got the unique opportunity to reflect in-depth on the first year of the pandemic by looking back at his accounts. He realized that post people would not remember the details of the lockdown; people would “remember it as a gap in their lives, but they weren’t going to remember it beat by beat.”

“Reliving each of those moments made me realize just how full a year it was, even though none of us were doing anything outside,” he adds. “We were all on our couches.” Readers will use the book as a way to relive moments of the pandemic’s first year “without having to wallow in the misery of it,” he hopes.

“I talk about the misery of it, but that’s not the focus of what I wrote... it was about hope and moving forward,” Hester said. “In these times when everything is so difficult, we will figure out a way to get through and we will move forward.”

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